Which Power Cords: I Need Some Informed Guidance


Working on a system upgrade. I recently purchased:

Krell s300-i Integrated
Cambridge Azur 840c CDP/DAC
Streaming Apple Lossless wirelessly from a G4 Powerbook (other side of the room) into an Airport Express, then optical out of the airport, into a Musical Fidelity V-dac, then RCA into the Krell.
Ps Audio Quintet Power Conditioner
I'll swap out outlets as well...sometime soon.

Looking for Power cords. Something under $350 or so.

Any and all feedback is greatly appreciated.

Thanks,
neutron
neutron
woo hoo,

just bought my first power cord here a few minutes ago, the taipan helix. now i just need 2 more (wall -> power cond., integrated -> power cond., cdp -> power cond.), and an outlet.

now, some advice on where in the line the taipan should go (oe do i just try each point in the line), and what else should i get.
"just try each point in the line". My guess is that it will work best between the amp and the Conditioner - but it is difficult to tell in advance.
Way to go neutron...youll find best spot for it,i ended up going up to the python on cdp, taipans cond and amp.Would like to bump up to python on cond though.It does get better going up the chain (inho)
wow!!! got my first power cord today. taipan helix alpha, used, great deal from audiogoner. a real pleasure to do business with, martay49, heartily recommended.

i'm now waiting on an audience powerchord "e".

back to the taipan...well not quite yet. with stock cord, everything was to bright, or voices blended into each other, bass was deep but not well defined, etc. now the taipan stuff. out of the box, and sitting between power conditioner and the krell integrated. haven't tried directly into con ed power, or from the wall to power conditioner yet. from the very first note of the 2nd movement of sibelius's 2nd symphony, a whole new world opened to me. soundstage becomes huge, in both breadth and depth. bass is now tight, amazingly well defined (imagine my shock, tympani's have character), and deep...viscerally deep. never thought that the sonus faber's were capable of moving so much air, the way the live performance demands it move. notes once misplaced, now have a place in space, they decay or dissipate the way my ears recognize as being right, i can tell that cymbals are made of metal, without sounding shrill...and there is a 1st violinist as well as a 2nd!!!...well, i think you get the message. i know you do, as you're the same folks who helped me find this road to ac lunacy. a lunacy that i now fully embrace.

i can't wait to get the powerchord "e", and continue with the experiment, and then on to ic's and sp cables.

i'm tapping my feet again. i'm not missing the tube stuff i traded for the solid state stuff. the new krell s-300i, at least to me, now sounds amazing...the reason i purchased it to begin with.

thank you, one and all, for your ideas, enthusiasm, and for helping this kindred spirit down the road to sonic bliss.

-gary