XLR interconnects?

Lacee - Boom box people don't listen to vinyl but they influence recording quality (as well as MP3 people).

I do have The Beatles "Love" but it's remastered CD. It has nothing to do with pressing quality. It just simply means that somebody altered the master tape by cleaning it up (improving). I have no idea what was improved (other than obvious lack of noise) but I can tell they sound much cleaner and more transparent.

If you really think, that there was nothing wrong with original recordings and only pressing was deficient then why CDs made of the same material sound poor (compare to CDs made of later songs) and why early songs were mono? It wasn't Beatles desire to record mono - it was just poor state of recording industry.

I agree that today we often do gimmicks instead of putting money into the process. 200 feet of XLR cable should be of high quality but my 0.5m XLR IC runs above $2k retail and asssuming $1k per foot for the highest quality cable means $200k just for one mentioned 200 feet cable. No studio can survive this. Stereophile "reference" recordings are made with high quality cables (and their names are listed).

I have a vast collection of unique and hard to find CD's. Most are classical and jazz but they do put to shame many recordings from both the past and present (vinyl included). Great recordings are made by people who care and have an ear for the music they are recording...the technology used seems to be unimportant in many cases.

Dave - we talkin' correlation here - exceptions always happen.

What I am saying is that great recordings have been made from the 50's on up thru to today. Great recording engineers make the difference, not the technology. I have 16bit recordings that are amazing and I have the latest SACD's that are rather conventional sounding. Some tube recordings from the past are amazing, while others sound like crap. I will say that mainstream recording practices are quite abhorant...sound that is compressed, multitracked from here to the timbuk 2 and all of it put through mixing boards that can suck the lifeforce out of even the best source.

Everyone is waitng for the Beatles catalogue to be given the same sonic makeover as some other artist's catalogues have.
If it is done on cd only and if it is given as much care as the Martins did with Love, then those would be far superior to the muck that has been released of Beatles material on cd.thus far.
It is very obvious to most of us why the first Beatles cd's sound so bad.
Most of the early cd's paled in comparison to the lp's back in cd's infancy.
Maybe you have forgotten or just weren't around then.
If the catalogue is also available on lp in 180 gram pressings at 45 rpm, I think that would open even the most jaded eyes about how great the original recordings of the Beatles were.
They recorded at Abbey Road the same studio that released some great classical recordings, they used the same gear and when they were hooked up with George Martin and his engineers, magic was made.
Maybe those more familiar with the later Beatles feel that the early stuff was primitive in comparison, it really wasn't.But most of it was mono and that was better than the hard vocal to the right, band to the left stereo treatment on the stereo versions.
Sgt Pepper was the pivotal lp, that unleashed everyone's imaginations and potential, those of the musicians and the recording engineers.
Sgt. Pepper with all it's sound effects was recorded on just 4 tracks, not 32, 48 or more that are available today.
I am not saying that the technology today sucks.
Proof of this is the Love disc.
It's just that to me, the problem isn't with the tech, it's with the people at the controls.
Have a listen to some of the remastered 180 gram, 45 rpm lp re-issues of the Blue note recordings from the 1960's if you want an example of how modern tech done correctly can improve upon the older tech that was also done correctly.
It's win, win, 2 + 2 equals four, simplicity.
If there was good sound to begin with you have half the battle won.
If the original recording(quality of recording, not musical content)was poor, then there really isn't too much you can do to improve it.
The old silk purse from a sow's ear concept.