XLR interconnects?


I'm in the process of upgrading my interconnects to XLR balanced cables. My gear is a Bryston BCD-1 cd player, Bryston SP 1.7 pre/pro, Sherbourn 5250A multi-channel amp, and my speakers are Anthony Gallo Ref 3.1's.
I'm looking to find a cable that is fairly neutral as I'm happy with the sound of my system. If there is a cable out there that may benefit my system please make a suggestion. I'm looking to spend between $200-$300 per pair. Some I've been thinking of trying out are Cardas Qualink 5c's, Kimber Hero's, Harmonic Technology Truthlinks, and Straightwire Maestro II's. Right now I'm using Ultralink Platinum series interconnects. Hope you can help.
darrenmc
Dave_b, I agree with you 100%. My point is simply that if you want to take advantage of what balanced line operation has to offer, you have to adhere to the balanced line standard to get it.

Not doing so is very similar to running a high performance car on the wrong octane. At that point everyone will agree that the car is not performing at its best.

Imagine IOW that there is a technology that can eliminate cable differences, such that all cables sound excellent, like the best you ever heard. That is what balanced-line operation is for. It works too, but you have to adhere to the standard.
I agree with you somewhat Atmasphere, but there will always be the cables geometry, network/non-network, insulation and conductor purity/type of metal that will act as a variable. To risk sounding redundant, the technology will get us close, but we will always have to chase Schrodinger's cat the rest of the way:O)
That's weird-I just checked on him and he was hooking up some single ended tube gear with RCA's! See, depends on the observer and when you check on him. Of course with an infinite number of possible outcomes one should not be surprised that we are both right...right?
>>03-25-09: Dave_b
I agree with you somewhat Atmasphere<<

I'm sure Ralph will sleep well tonight knowing that.