what do you know"


after experimenting with diferent spkrs cables, from audio quest mont blank,to VD reference, cardas GR,my current cables. whent to a friends house over the weekend to audition it's new VTL 7.5 preamp, stumble across a pair of MIT 750,spkr cable that has been neglected for a long time and asked to borrow cables for a trial, wasnt' specting mouch from cable, but for my surprice this cable blew away all my other cables buy far, imaging was unbeliavable,instrument separation,air and sound stage was out of this word, to be honest the best Ihave try by far, did some research on this cable, and it sells for $175 or bo, now I have my $2500 cables for sale and I can believe Im doing this, anybody with similar experience,
juancgenao
Yes, I agree with Shadorne's post. My comment in the second post in this thread applies to cables that are designed to simply make a connection, and that have inductance, capacitance, and resistance that are negligible in relation to the impedances of the components at both ends, at the frequencies involved . Cables that are designed to be non-neutral are a different story altogether.

Regards,
-- Al
David Salz is basically recommending low series resistance and low inductance in speaker cables. This is good advice.
In interconnects you would want low parallel capcitance.

The pitfall with seeking costly incremental percentage improvements in cable properties (for example copper to oxygen free or to silver wire or to special wire geometries) is that one may believe that the percentage improvement will actually translate directly into proportionally large percentage audible improvements. No so. In most cases, wires have such a small effect on the signal that with well designed and matched equipment the differences between one ordinary wire and another will be minute. For sure everything with a different equivalent R, L, and C has got to sound slightly different but the differences are so small as to be what a tin eared person would regard as negligible (no more than mere tenths of a decibel and often much less - unless you get into really strange designs that push the envelope in inductance or capcitance and resulting large phase shifts and attenuation).

Depending on which side of the fence you are on, a possible conclusion is that one might be better served by handing over more money for a better amplifier or a much better speaker (one with a bit more money in driver quality) or room acuostics than investing in incremental improvements in speaker wire.
Actually, I am a believer, but I'm always open to new information. And the science I was referring to is the testing methodology. I accept that there are things in audio that can't be explained.
A lot of technical talk here.

It's inevitable some people would spend big money on cables especially those with $200k systems as to them it would be "injustice" to spend $200 worth of cables on their mega-buck rigs that would deserve "better" cables. Given that these folks can afford good quality systems, $10,000 worth of cables is nothing since it's likely that they will outperform lesser cables although the margin of improvements may be not significant.
I see people that have switched to the inexpensive Anti-cables with marvelous results, where they replaced cables costing multiple hundreds of dollars. I tried the Anti-cables in my system, and I found they did not sound very good. I firmly believe the folks who found them to work much better than the more expensive brands did actually find a major improvement. Different equipment, different results. I only wish I could have found something in the same price range that did the same for my system before I spend the dollars I have.

Yes, I believe cables make a big difference, and in stating this, I'm not forcing my beliefs on anyone. Just making a statement.