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What is the best HEAVY METAL speaker?

I know totally blasphemy question here on Audiogon. But you like what you like, right? Anyway, I know most metal music is totally compressed and recorded horrible (aka Metallica) however there is a new age of metal bands out there that are starting to change that (Opeth started with Blackwater Park). So what speakers out there can take the pounding of a double bass drum kit hitting at full throttle and give the roar of metal guitar justice. There has to be a set up that would make Glen Tipton turn his head and say hell ya!
128x128lizzardkingseattle
jafant
18,842 posts
 
Lizzard-

you cn do this in 1 of 2 ways;
older speakers - Infinity Crescendo Series (early 1990's).
new speakers - Thiel CS 2.7 or 3.7 depending on your room/space size.

I,too, enjoy Hard Rock/Metal and you are correct, most is very poorly produced/mixed- a real challenge for today's electronics and loudspeakers. Keep me posted & happy headbanging!
dave_72
1,399 posts
 
Legacy are alright, but not as good as Klipsch Heritage and JBL Synthesis, imo. I heard those old Polks back in '86 playing Deep Purple, I was not impressed. AS far as B&W, I would go with an old pair of 801 Matrixes series 2 or 3. Or the ever elusive 801Ds. There's a guy on you tube called audiophilemetallian with the 801Ds. Check out his videos, the 801Ds really rock!
phasecorrect's avatar
phasecorrect
2,013 posts
 
Something that has a smooth, grain free top end and a warm midbass...vintage Infinity...also Klipsch have that boogie factor if one can deal with a more forward sound.
johnk's avatar
johnk
1,973 posts
 
Altec a4
nrenter's avatar
nrenter
765 posts
 
I'd stay away from horn, electrostats and planners.

IMHO, metal needs critically-damped, very articulate dynamic (cone) speakers driven by solid-state that can really control the speakers. You can lessen the requirements of the amp if you high-pass the speakers and use a set of servo-subs.

A good track to test a "metal-worthy" system is Tool's "The Grudge". Listen to the accelerating kick drums. Each impact should be well defined (and not a muddy mess). Vocals should sound distinctly layered on top of the sonic fury. The engineering / production isn't perfect, but if you can get this song to sound "right" you're moving in the right direction.
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