Garrard 301/401 audition request


I was thinking about the movie "Inception" the other day, where there was a line about how hard it was to insert a thought into another person's mind in a way that the person believes its his/her own original thought.

I think Art Dudley's very interesting column in the latest Stereophile re. his refurbishment of a Garrard 301 caused a not so little "bee to start buzzing around in my bonnet". I began to find myself scanning E-Bay throughout the day for the latest 301 or 401 offering; checking out Craigslist not just in Southern California and was actually the second caller to an original owner selling his "grease" not "oil" 301 in Northern California (can you say shouts of "Road Trip" followed by a not-so-little letdown when he informed me that the first caller was about to show up on his doorstep later that evening). I've just started to peruse the various websites, forums, and posts with owner's insights, observations and glorious pictures of both 301's and 401's mounted in an amazing variety of plinths with an equally varied number of tonearms.

So before complete insanity takes ahold, I thought it would be prudent to attempt to actually hear what the Holy Grail sounds like before embarking on what could well be a mad, prolonged quest. So...if you are in Southern California (or Northern California for that matter) and feel a twinge of pity and/or sympathy for what I have brought upon myself, and you are willing to share your wonderful system with me for a couple of hours, I'd be only too happy to provide a nice bottle or two of aged California cabernet sauvignon or, if you are a believer of terroir, a red Burgundy from the hallowed hills of the Cote d'Or to accompany the listening session. If it would be of interest to you, I would gladly haul my Linn Sondek LP-12 over for a little side by side comparison/contrast.

Anyway, thanks for reading this post and Happy Listening everyone!
128x128closdesducs
I recommend 301 for shellac and 401 for vinyl since it has twice as much motor suspension.
Lawrence, i just had the most beautiful plinth built by Woodsong Audio for my 301. He also did a full rebuild for me. I can tell you it is one sweet piece, in my eyes it's the crown jewels of my system.

I've had to lay it up in storage for now since my one year son might accidentally get to it but once i get a chance to bring it down again i'll let you know, i'm just a little north in the Long Beach area.
>>Would very much like to hear the Garrard 401<<

Lawrence - Private message me via Audiogon to arrange a listen. I am in the west Valley.

Phil
Jcote,

Thanks for sharing info on your Woodsong Audio 301 plinth and rebuild. I agree, Chris H. does exemplary work! I was fortunate to acquire a Cocobola plinth from him for my Linn LP-12. As for the 301, I'm in the process of obtaining quotes for a multi-layered birch plinth but am also evaluating going down the slate plinth route too.

I was able to obtain an SME 3012, Series II tonearm that I'll be sending to Alfred at KR Audio shortly for refurbishment so it's slowly coming together. Hopefully it will be up and running before summer is over. Can't wait to A/B the Garrard 301 and the Thorens TD-124 side by side!

Please do let me know if you ever bring out your TT from the mothballs. I'm just down the road in Pedro so it's just a hop, skip and a jump to LB.

Lawrence
Gospelcollector,

I've heard great things about the 401 too. Comparing the two TTs side by side, it feels like the 401 build quality isn't the same as the 301, but I've heard others rave about its sonic capability.

I have a fairly clean 401 tucked away that hopefully will be mounted and played one day... But I was planning on getting the 301 up and running first.

One day...