why do Ortofon SPU C from the 50ies sound so good?


couldn't imagine that 60 years old carts from Ortofon sound such superb. But they do. What is the secret behind it?
thuchan
Dear Thuchan: +++++ " Nevertheless I was wondering because most people regard that old vintage stuff not as HiFi or even High End which is not true - " +++++

that's why exist that long MM/MI thread that confirm your statement with cartridges in the 40+ years old range ( not 60 as your cartridge. )

Now, I own old Ortofon LOMC cartridges and today IMHO are competitive, I own the MC2000, MC30 and MC20MK2 and all them are better that any one could imagine.

Not only Ortofon but other vintage ( by 1980. ) cartridges are really god like Goldbug Ms. Brier or Pioneer PC-70MC or Satin M21P or Victor MCL1000.

So it is no surprise your Ortofon mono sample. As Martinhall point out several vintage cartridges sound good in those old times and with our today systems it still sounds good.
This fact IMHO is a testimony of its great design, build quality and very good execution design.

Regards and enjoy the music,
Raul.
Dear Raul,

I now have a machine with the EMT JPA66 which is the ultimate phono stage / preamp for MM carts too. You are able to adjust MMs precisely and influence the sound in many ways. I do think this could give me another direction, who knows...

best & fun only - Thuchan
Dear Thuchan: I never hear/heard that great EMT so I don't have an opinion if like you say is the " ultimate phonostage/preamp ", what I can say is that is the most versatile phono stage equalizer out there.

IMHO as is important and as makes a difference that very old recordings be played through a matched inverse eq. curve as important is that any cartridge ( LOMC or MM/MI ) be matched with its precise electrical needs: this makes " the difference ".

Anyway, good to hear that you are enjoying music better than ever at your place.

Regards and enjoy the music,
Raul.
If you are thoroughly enjoying the music, then your imagination will be in overdrive and so, the music will inspire you. It will not matter in the slightest if the recording is mono or stereo, played on a Mitchel Galaxy or a BSR Monarch autochanger, that you can hear ALL of the music will be essence of your enjoyment. In partnership to this, is the enjoyment of owning of the finest Hifi equipment you ever wanted. What really is great, is we all have a multitude of different tastes that keeps us discussing the virtues of different music played on a million different setups and contraptions. This has been going on for over a century and long may it continue!
The main reason you old Ortofon sounds so good? Is because you are enjoying the listening to it. Which, is good.
I agree with Martinhall. Our brean is very selective depending of our individual education. I have some friends
who are professional musicians and they 'hear' totaly different than I. They are interested in the interpetation
of an composition by the artist and don't care about the 'noise',the 'tiks' or whatever irritating things on a record. They can ,so to speak, destil the music from the
enviroment and enjoy the 'purifyd essence' of the music
without any interest in Hi-Fi. So my quess is that Thuchan is an musician who somehow got involved in Hi-Fi and is consequently asking the wrong questions.
Regards,