KAB 1200 vs. everything else.


A few weeks back I asked Kevin of KAB USA what price level a fully modded 1200 competes with, and he thought somewhere in the 4500-5000 dollar price range. His reasoning was that the business concentrates on romantic reproduction rather than technical reproduction. It sounded plausible, but I am pretty new to analog playback. What do you think of this claim--Cheers
jmoog08
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One must factor in what an SL-12xx series would cost to manufacture if it were developed today? The price for base 1200's today are around $500 US. Add some KAB mods and they go closer to $800-$1000. But it's not that these take on in competition with other sub $1000 decks. No, it's becase Panasonic has been making and selling these units for near 30 years, the large sum of money they put into R&D of not only the SL-12xx series drive system and other parts has be recouped many times over. They now only need to make profit on the cost of direct manufacture of each and since they still sell relatively large sums of these the costs are appropriate.

Kevin is in the right ball park IMO if not a bit high. My belief using my logic of the business model and marketing would say one likey needs to spend minimum $2000 or more to begin seeing units from other makers begin to truly rival or excel the general playback of the SL-12xx series.

But it is a personal thing and being subjective many will have raw opinions on such. But one can't look at the SL-12xx series as just anoth $500-$1000 (with pertinent KAB mods) TT. Pick any cottage maker of note and if they had to invest in R&D around the making of the SL-12xx series today they would likely have to price it at least $2000 but probably closer to $3000 in current dollars to make any real profit on it.

I love my SL-1200MKII with KAB Cardas arm rewire. It impresses me every day I play it. If one had no idea what they sell for they would, likely think it was way more expensive and their opinions would be even more positive. Too many so called audiophiles think " Meh it's $500, how good can it be?" They allow the price to blur the facts that it's a killer TT that will scare or humiliate many other TT's that often get rave reviews.
Less Creative .. I love my Technics SL1210MKII and it shocked lotsa sceptical friends but trust me .. don't compare with a TW Raven One with a good arm .. this is another planet.
I'm sure the SL1200 outclasses many Rega and I think some Gyrodeck/Orbe not well tuned .. maybe some Scout and Scoutmasters (but I don't know these) .. pratically TT around 1000/3000 USD$ expecially if you setup the SL with the fantastic MintLP Tractor but don't push forward

Always IMHO
I won't go into detail where the 12xx tables fit in the hierarchy of analog, but I do believe that one could get away with putting a very nice Cartridge on board, running it though a really good Phono Stage, and get quite surprising results.

Seems most wanna fit this table with a Shure 97, AT440, and I would bet this Table can showcase much better than this, with exacting, precise attention to set up, and the components used downstream. Mark
Markd51,

That's what I was thinking. I strapped a Benz ACE H to an RB250 on the Sl1200. The way it responds makes me think that a $2k is not out of the question.

A Dynavector XX-2, Benz wood body something, and Koetsu Black are on the wish list.

In using a Cardas re-wired RB250, which does track better than the stock arm, I can see that the stock arm with better cable (which mine has) and the fluid damper may exceed the RB250 in performance.

The Rega is solid but not as open or as lively as the Technics stock arm. The only issue being tracking with the Technics arm (which would be overcome by the fluid damper).

The only are where the Rega arms is superior is the unbroken Caras from cart to RCA. You can sense a purer presentation. The overall liveliness and versatility of the modded Technics arm is worth the trade-off....for me.

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