Lyra Titan i on Basis Vector 4 experience?


Anyone have experience using a Titan i on the Basis Vector 4 tonearm?

If so please share your experience.

Thanks,
Dre
dre_j
Well, I didn't want to turn Dre's thread into a debate about tonearms and I probably exaggerated a bit by saying that the cartridge would sound much better on the Triplanar. Look, these are both very good tonearms. That's why I own them.

I've owned a Vector for about 5 years now. First a Model 1 and now a Model 3. The Vector is an outstanding tracker and can tame even the most difficult cartridges with its rock-like stability. If you have a Basis table there is no better arm to have mounted on it than the Vector. At one point I had both a Graham 2.2 and the Vector with the right armboards so I could change the arms out. On the Basis 2500 table that I owned at the time the Vector was superior to the 2.2 in just about every way. Probably because the Vector is much more stable.

I've owned the Triplanar for about 2 years now. Also a very good tracking arm when setup properly. The triplanar is probably not as consistent as the Vector with a wide range of cartridges. However, there are those, like the XV-1s, that combine very well with this arm.

Ok, so why do I like the Triplanar more than the Vector with the XV-1s? Well, maybe it is because I find the Triplanar much easier to get setup correctly and repeatably. I have not been able to get the same nuance and micro-detail from the Vector that I can with the Triplanar. Maybe there just isn't the same synergy between the Vector and my Gavia. Maybe it is because of the silicon damping that must be used with the Vector. It is true that you cannot get the same Galibier Stelvio armboard that I use with the Triplanar because of the way the Vector mounts. This would also be the case with, say, a Graham tonearm. In talking with Thom, we decided that I could get very near the same results as his regular armboard by fashioning one from cocobolo. So I fashioned an armboard using opposing grain layers. Maybe someday I'll be able to get as good results with the Vector as I do with the Triplanar.

Well, there it is. My experience and opinion. Others will have a different opinion and experience and that's ok. YMMV, and all that.

Dre, good luck with the Titan i. I only know this cartridge by reputation but I'm sure you'll be very happy with one mounted on your Vector.
Dan,my friend may be interested in a Vector.Did you find "it's" fluid usage to be as critical as the 2.2,in terms of how it affects tonal shadings?

Some time ago,I was personally contacted by a fellow who designed turntables.He was quite knowledgeable,and "loved" the Vector!He had some interesting "takes" on many of the popular arms we all like to talk about,but the guy LOVED the Vector.

The business of fluid addition,as it relates to "arm voicing" obviously interests me,but I do have a knowledgeable group of audio pals who are adamant about the "ultimate" lowering of sound quality,if an arm uses fluid.Be it in the bearing,or in a well,with both affecting performance differently....Personally,I'm on the fence with that issue!

I know my Phantom prefers less fluid than the finicky(but I loved it) 2.2,but I'm hearing good things about the latest Vector...

Hence feedback on "it's" fluid/performance impact could be interesting.

Also,doesn't it have a new assembly that allows for easy VTA?

Best.
Dan,

Thanks for the response and sharing your experience and opinion. Don't worry about the post moving in another direction. If we check most posts on the forum, we will notice this happens regularly. I've accepted it as Internet forum protocol.

As far as the Titan i goes, I'm only getting responses for information on the cart/arm combo at this point. I'm not ready to pull the trigger just yet.

I own the Skala and really enjoy what it does with the very variable music I listen to. So, a Cartridge that is more chameleon (or even handed) with varying types of music is my preference. The Skala, in the Vector, allows me to enjoy everything I listen to. Which is the reason for this post: To find out if The Titan i can add more oneness with the music and not take away from what I'm currently enjoying. I guess you can call it trying to satisfy a curiosity.

Dre
I have a Titan on a Vector 3, a friend has one on a Vector 4 and the combination works very well. I talked to someone in the know a few years back (I think it was A.J. Conti of Vector) and he said that the Titan transfers a tremendous amount of vibrational energy to the tonearm. The Vector is designed to handle that type of cartridge by dissipating such energy instead of reflecting it back to the headshell and the cartridge.

All that said, the Titan works well in a number of tonearms. I've heard it in the latest Graham, as well as in an SME arm. The basic requirement of this cartridge for optimum performance is a very rigid arm/bearing that will allow the vibrational energy to be transferred to the turntable plinth or armboard. A.J. Conti of Vector hates cantilevered armboards for that reason-- they are not rigid and so they start to vibrate like a diving springboard from such energy.
Sirspeedy,

The amount of damping fluid in the Vector is very important. I leave the term "critical" for the 2.2 and to give an idea of how I think the difference between the two arms is in regard to this. The idea with the Vector is to add enough fluid to the trough to tighten the base. Too little and the bass becomes muddy. Too much and you start to squash HF and dynamics. This is no different than the 2.2. But I think the 2.2 is much more sensitive. As you posted a while back, even an amount the size of the head of a pin can adversely effect the performance on the 2.2. With the Vector I find that I can stay to about 1/2 cc of silicon and get the level right. In short I don't find the fluid level to be as touchy as with the Vector, but it is certainly very important.

I would say that the micrometer option for VTA measuring does make minute VTA changes easier than not having it. As A.J. says, it is not a VTA adjuster, it is just a way to measure. It should not be touching the plinth while the stylus is playing.

Larryi,

that is exactly what I and others have found about the Vector. It can handle those cartridges that transmit a lot of energy into the arm. I think this is another reason why the 2.2 did not perform as well for me as the Vector. I have not calculated it, but the PSI value at the pivot bearing must be enormous. Another point that the Vector has over the 2.2 is the horizontal stabilization of that little bearing controlling azimuth.

Yes, I know A.J. doesn't like cantilevered armboards, on the fly VTA, and non-suspended tables. Just to name a few things. However, there are examples of such implementations that address his concerns and work extremely well.