Upgrade for users of 1/2" mylar belt


This thread will be of interest to Galibier, Redpoint and Teres belt drive TT owners, or anyone using or thinking of using a drive belt made from 1/2" mylar. The belt material of choice on these tables for several years has been the silver holographic mylar streamers from sources linked on the Teres and Galibier websites. This outperforms everything else we've tried but like anything it's not perfect - and we've now found something better.

One of the silver holographic mylar's assets can also become a liability. That metallic layer, when new, gives the belt exceptional "grip" on the platter and motor capstan. Minimal slippage on transients is one reason the material works so well. Unfortunately, that layer can wear over time, leaving a silvery gray residue and allowing performance to deteriorate. The only solution has been a good cleaning and a new belt. No big deal, but if there was a better or more stable belt Paul and I wanted to find it.

I'll spare you a recounting of our many experiments and jump to the good news: thanks to (yet another) brainstorm by my resident genius/partner, we've developed a belt that both performs better and lasts longer. I've held off posting until we were sure, but after 4 months of steady use Paul’s idea is still working perfectly. The only negative is that making this new belt takes an hour or more of work spread over two days, but to us it's worth the effort.

HOW TO MAKE ONE

1. Cut a length of the silver holographic mylar tape sufficient for your TT, plus 3-4" extra.

2. Remove the silver metallic coating off the backside of the mylar. Paul used an acid etching cream popular with stained glass hobbyists to dissolve the metal - safe, quick and easy (use skin and eye protection).

3. Rinse thoroughly under running water, inspect to make sure you got all the silver off, wipe and hang to dry overnight.

4. Splice as normal to make a TT belt, making sure you tape on the OUTSIDE (which will be smoother than the now bare inside).

5. As always, the best splicing technique is to overlap the ends and cut on a 30-40 degree angle. Apply 1” video splicing tape (*not* tabs) across the belt at the *same* angle and trim away the excess.


WHY IT PERFORMS BETTER

Unlike any plain mylar ribbon you could easily buy, the silver holographic streamer has an ultra fine texture embossed on the back side of the *mylar* during manufacturing (*before* the metallic backing is applied). Once the silver layer is applied you can't see this texture, but that's what diffracts light like a million tiny prisms to produce the shimmery rainbow effect. Stripping the metal backing away exposes this texture, which becomes the contact surface of your new belt.

Paul realized this texture must exist and then hypothesized that using it for the working side of a TT belt might provide more “grip” on the platter rim and motor capstan than either plain mylar (which is extremely smooth) or the metallic backing. He was right. This belt produces more lifelike dynamics, both macro- and micro-, than even a brand new silver holographic belt - which heretofore was the best.

WHY IT LASTS LONGER

Removing the metallic backing exposes bare mylar, which is much sturdier than that fine layer of metal. Under normal use and assuming no accidents, one of these belts should last many, many months, perhaps years, while delivering consistent performance. Ours is going into its fifth month with few visible and no audible signs of wear.

Different motor capstan materials might interact with this belt differently, but I urge anyone with a compatible table to give this a try. Like all our favorite little tweaks, we'd find it hard to go back.

A FEW TIPS

1. Clean any silver/grey residue from your old belt off the motor capstan and platter before mounting the new belt.

2. As many of us have learned, the more inelastic the belt, the more critical motor leveling becomes. That is truer than ever with this new belt. Getting the motor set just right is touchy. Take care that your new belt is riding level in the center of the capstan before you start to play. You don't want it sliding up or down and mangling itself.

3. Motor distancing is also more critical than ever. Since this belt will not slip *or* stretch, tension must be perfect. The right amount is just shy of the tension that would tilt the motor off its feet.

4. Depending on your climate, the belt can build up static potential during use. Not enough to spark, but more than enough to attract airborne dust. I dust the belt's inside with my CF brush after each side before stopping the platter.

5. With this or any belt, always start your platter spinning with a helping push. Just pressing the motor's ON button creates lots of belt-wearing friction as the rapidly spinning motor tries to drag that heavy platter up to speed.

It all sounds like a pain, and it is! But the sonic and longevity results are worth the effort.

Cheers,
Doug
dougdeacon
Dan,
The etching cream was mostly gone long before Paul thought of using it on a TT belt. He used to do stained glass as a hobby.

That was years ago. You'd have to see our basement to appreciate what a miracle it is that he even found it. ;-)
Interesting re: Verus upgrade and your experience with it. I was in line to try one but then Chris kept putting me off on delivery dates so I just let it drop. I haven't really heard one, except briefly at VSAC '08 on a 265 model. I rarely get a usable impression on audio gear at shows. Too many distractions,... plus room acoustics are rarely good or comparable to my own.

Also interesting re: your comments about your "modified Ref II motor, modified controller and the faster/stronger battery "

This comment suggests that a stronger battery will help motor response to stylus drag "events"? Frankly, with my 145, this is the one area where it falls down in comparison to other turntables. It's really quite laid back in character.

This became obvious when I began work on a TD124 project a while back. The one area where the Thorens was really quite a lot better was in its ability to project percussive sounds into the room. This seems to apply to any music with a strong wide dynamic content, including rock, jazz and classical. Particularly drums. The Teres 145 seems week on projecting a realistic drum sound.

I'm also listening to R2R tape for another source perspective. The tape, particularly with classical titles, can project a very wide uncompressed dynamic scale.

But now I'm rambling.

-Steve
Update: the cream Paul used is "Armour Etch". Paul's old bottle was half dried out, but a little water brought it back to life. Despite dilution it was still plenty strong enough to strip the metal layer from the mylar.

The link Dan_Ed posted above has Armour Etch on the top line of products. It's nasty stuff, but half the price of the friendlier product Dan spotted on line 2. Be cheap or be green, your choice.

Steve,

Rambling is encouraged! Our system also used to sound soft in the bass, much as you described. No longer.

Our battery of choice is this: http://www.batterymart.com/p-Big-Crank-ETX20L-Battery.html.
It's liquid rather than gel, so it reacts faster and delivers higher peak currents. The Absorbed Glass Mat internals make it spill proof, for safety, and there's no reason to restrict yourself to low amp/hours. As long as it's 12V you're safe. After several experiments we settled on the 17.5ah model linked above.

Another idea of Paul's, naturally, and it easily out-powers the regular battery on transients and bass. I can rock the house down to the lower limits of our speakers (32 Hz). Way better than what Dan_Ed heard the last time he visited us.
How can you go wrong with a name like BigCrank! ;-) So far I've stayed with the jump start type battery packs that can be found at various places. I don't have an external charger and these come with one built in.

So, there is another item for the list for next time I get down your way. The Anvil, and my Jump n' Charge. Sounds like a game for kindergardeners compared with BigCrank!