@toddsyr Congrats on making the jump into the acoustics pool, so to speak. I'm sure your GIK additions have provided more musical details and engagement with your music.
I was where you are many years ago and hope you might be open minded to a few suggestions to take things further.
> acquire and learn OmniMic or REW measurement software so that you can tweak panel placement, angle, quantity etc. GIK has done their best to guesstimate what you need but accurate measurements of early reflections, decay times, and frequency response will tell you what's going on in your room.
> in terms of using measurements to tweak things, I'd suggest starting with early reflections of 0 - 10ms using an Entergy Time Curve (ETC). You'll want the early reflections to be down -15 to -18dB from the direct sound ideally. Here L vs R symmetry is important if you can't reduce them down to -15 / -18dB because a stronger/louder reflection will pull the image to that side messing with your image stability.
> measure a T30 decay time in 1/3rd octave intervals to see what's happening, one channel at a time. Your curve should be flat across mids/highs but be longer (about 150% longer) than your average mids, and ideally fall within a 200 - 450ms overall range. Add panels to reduce decay times if too long but be careful not to over absorb >2kHz as it'll make the room dead sounding and less engaging. Use diffusion and reflections for mids/highs and absorption for bass.
> use gentle EQ to correct L vs R frequency responses loudness differences as the last step, typically restricted to the bass region only.
I provide remote analytics services and am in the Toronto area if you're interested.