Power Cable Suggestions.


I am looking for a new power cable. I am looking into spending anywhere from $300-$500. I am torn between a Furutech Astoria Plus, DH Labs Power plus/cryo and last but hopefully not least, CullenCable Cross Series II. I just learned about CullenCables today and they look very nice. This cable will be used to power up a Naim SN3 or REL T7i. There is Morrow Audio which currently has a 25% off on all their power cables. I need a power cable asap. Any help will be very appreaciated.

stormofkit-kat86

mggartner, In my main system with revealing speakers (KEF Reference 5 Metas),  I can easily hear cable changes.  For example, I recently changed or swapped power cables between components.  I had the Hijiri TAKUMI on my integrated amp and a Veritas Praesto on my Pink Faun Scion streamer.  I swapped positions, put the Takumi on the streamer and it really woke it up, I could cleary hear it, big as sh#t!  Smoother sound and expanded stage.  Finding the "right" cabling in my main system increases the enjoyment of my system, I wish it wasn't the case, because all of the cables and experimentation I have done was expensive, but it is.  

But in audio both things can be true.  I have another system, it has no power conditioners and just cords straight into the wall.  It includes a 1971 Marantz 2270 receiver, can't swap power cords on that, just a regular lamp looking cord.  A Blue Node 2i, again not a regular power cord it is just the stock cord and for speakers it is the Wharfedale Lintons.  That simple system without any after market cabling sounds really enjoyable, it is a just whole lot of fun.  So mggartner, if you can have fun at this without going down the cable rabbit hole, good for you.  That is what my second system (Lintons) above is for me.  On the other hand, it is also fun trying things that change the sound in my main system (KEFs), and cable swaps of all kinds can be easily heard.  

@kclone My system has finally reached a point where I can discern the effects of power cables. Your comment about replacing the Praesto with the Hijiri reminded me of my own experience with the Praesto. I had one on my preamp and replaced it with a Furutech, significant change. But, I moved the Praesto over to my DAC, and it really shines there.

I’m finally going to replace my courtesy cord that I’ve been using with my Luxman 505. I found a Wireworld Silver Electra 10 on sale.

zlone, is your Furutech the DSP 4.1 with  F-150 R NCF connectors?  That is the one I have on my Tai Hang power enhancer.  Love that cable.  

"Or can’t hear" sounds pretty accurate as a summation.

Shunyata has a division which designs cables for hospitals, which need exceedingly low noise to hear what is going on with the heart. I assume people won’t think Shunyata paid a hospital to make a  false comment, but some people have an answer for anything they don’t believe in, so I guess they won’t believe. 

Nonetheless, read for yourself:

https://shunyata.com/medical/

One thing that I find comforting is that Keith Jarrett - an audiophile - stated that, when he came into High End equipment, he "didn’t know HOW to listen or what to listen for". That’s from his Jazz Stereo Times interview. So, if a world-famous pianist didn’t know how to listen correctly when he came into his High End system, it shouldn’t be a surprise that the average listener ALSO doesn’ t know how to "hear" what’s happening. 

I was watching Gigi last night, because my husband had never seen it. The sound seemed "hollow" to my ears, but I wasn’t sure he recognized it. To be honest, it was hard for me to tell, too, but it sounded "funny" to my ears.

I got up and moved an ASC Sound Plank on the wall behind one speaker about two inches, and sat back down and hit "play". The whole lower midrange filled in (if your sound is "hollow-sounding," if is likely to be a problem in the lower midrange/upper bass). I asked him today if he had  heard any difference and he replied that yes, it didn’t sound as hollow. I did not prompt him at all.

Besides that, the "ssssss" sounds in the dialogue  became noticeably clearer, which means the upper midrange/lower treble range was being more correctly rendered (although the violins in the music then sounded pretty bad. Hey it was recorded in 1958, and  now it's being transmitted thru the speakers via an LG LCD screen. I'm sure the electronics in it are not very good, so...).

I had lowered the volume after moving the tube trap, but I didn’t say anything to my husband about it. It sounded clearer to me, and that was enough. What I didn't expect was that moving the tube trap (just one!) also made the volume louder, which is why I turned the sound down.

 

It reminded me that room acoustics are a sine qua non for any average room, and, without it, there is  so much music we don't even realize is missing. Annoying, but that’s the reality of sound reproduction. Even curtains on the side wall, or a ficus plant beside a speaker on the side wall at the first reflection point will break up sound waves really well. People really need to treat room acoustics as a critical part of getting good sound, and it needn’t be like I did it: Tube Traps everywhere, although I first bought them in 1988, so I’ve been fortunate. (Dave Wilson expressed dismay that my dealer had sold me 10k worth of Tube Traps, but then, he hadn’t heard them. They were very new at that point. J. Gordon Holt did the first review of Tube Traps  in Stereophile in the spring of 1988, and I bought them a few months later). I imagine that same batch now would cost upwards of $30,000. Thank God I was younger and less skeptical.