How women, both American and internationally, have affected jazz.


As I watched Ken Burns history of jazz, it was no secret that women were rarities in the jazz world until the 1970s when things began to open up a bit, especially in Brazil. And I must admit i am a big fan of Brazillian jazz. 

There have always been women's presence in singing, however. Billie Holiday, Sarah Vaughn, and Ellla Fitzgerald, just to name a few. Astrid Gilberto was the first Brazilian singer I heard (on the Jonny Carson Show) and I immediately fell for her whispering breathy voice.

I would like to throw out an American singer as my first offereing. I am smart enough not to make it Patricia Barber or Diana Krall, both of whomn are excellent jazz pianists, because I've already seen how most "serious" jazz afficianados dismiss them right off the bat. Instead, I will submit the name of Cassandra Wilson.

I have been listening to jazz most of my life, and I have gone to many live jazz concerts. With that background, I consider Cassandra Wild to be a true innovator in jazz singing. I have recently purchased three of her albums. I have never heard any other singer like her. If you have not heard her, I would suggest "New Moon Daughter." If you have a turntable, there is a fantastic AAA album reissue. I can't stop playing it.

audio-b-dog

I agree with the OP that with the exception of singers, women have been underrepresented in jazz.  Perhaps that is starting to change.  Here are a few from the past to highlight:

Mary Lou Williams - Brilliant writer, arranger, and pianist for Andy Kirks’s hard swinging band.  After the big band era she adapted easily to modern jazz styles and was an influence on Thelonious Monk and Bud Powell who as young musicians used to hang out at her apartment in NYC.

Mary Osborne - Great guitarist who learned directly from Charlie Christian himself!  Participated in early be-bop sessions.  She didn’t record much but her few tracks are worth seeking out.  On YouTube you can see her accompany Billie Holiday.

Lil Hardin Armstrong - Going way back in jazz history, Lil wrote several of Satchmo’s most popular early songs and played piano as well on recordings.

Back to singers, I’m also a big fan of Cassandra Wilson.

Anita O’Day is not as well known today but I think that she’s one of the great jazz singers.  Her 50’s Verve recordings are wonderful.  Watch her perform Sweet Georgia Brown and Tea for Two from “Jazz on a Summer’s Day” and be amazed.

@audio-b-dog 

I would like to throw out an American singer as my first offereing. I am smart enough not to make it Patricia Barber or Diana Krall, both of whomn are excellent jazz pianists, because I’ve already seen how most "serious" jazz afficianados dismiss them right off the bat.

For some reason, Barber and Krall loom very large in audiophile circles. They remain "trendy" while a host of other female Jazz artists are ignored. I’ve tried drumming up interest in other female Jazz singers here to little avail. 

Speaking of other female Jazz pianists, Geri Allen and JoAnne Brackeen are on an entirely different level.  

 

 

 

Yes, indeed, Cassandra Wilson,is fantastic, I have many of her cds .I lucked out at a church thrift and got 8 of them for like a buck each.

Diana Krall

For me, she doesn’t play the piano enough anymore.

Many years ago I was listening to WBGO Jazz station, and ’who the heck is that pianist?’ (no vocals). Awesome. Turned out to be Diana Krall, so I thought of her as a pianist 1st, vocalist came later, then progressively too much vocal IMO.

I’ve seen her live, small club, medium, New Orleans Jazz Festival, Radio City with Tony Bennet.

But, lucky me, I’m in a very cool antique store in NO, when I see these legs, holy, oh my, I hope the wife doesn’t catch me staring. I hear her speak to someone, without looking up, I knew exactly whose legs they were.

It was Harry Connick Jr. that she was talking to, and lucky lucky me, Harry’s wife (former Victoria’s Secret model) comes into sight, now I don’t care if I get caught staring.