Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Another session with Marcin Wasilewski's Faithful - a late-night, low-light listening session. For those of you with a resolving system, this album can sound 3 dimensional with a lot of texture. There's a lot at play here so expect huge piano imaging,  bass with a natural sounding wood tone, and extreme and natural cymbal decay. Needless to say I like this album very much!

 

 

Another beauty by Marcin Wasilewski simply called "TRIO". This was their first album together.  Geez can these guys play!

From AI "if Faithful feels like late-night introspection, Trio feels like early morning light". 

Although re-visiting music that I haven’t connected with the first (or second or third) time around almost never yields a different reaction, a recent exception to this pattern is K. Jarrett’s Koln Concert. What used to sound monotonous due what I perceived to be an overemphasis on rhythm to the detriment of melody has lately become a much more nuanced, enjoyable listen.

Recently, I discovered the height of my speakers was off. If I raised myself up from my chair, sonics noticeably improved. The easiest solution would be to buy shorter speaker stands for my monitors but this is impossible, due to obstructing furniture. Nor is my listening chair adjustable for height. My solution: ordering a 7" thick high density foam cushion for my chair. It looks ridiculous but SQ is better in every respect. 

For one thing, piano now sounds much  more convincing. Piano is one of my favorite instruments in any genre, so this is a big deal. I can’t say to what degree my changed experience of Koln has been a result of the cushion. It could be I’m growing a bit more patient at 70. At any rate, I’ve been listening to Koln every day.

 

 

Another good Double Bass player is Ray Drummond. He led his own band as well as played with a bunch of other bands.

 I just listened to Back To The City.  I have a love/hate with Qobuz.  The album cover says it’s by “The Art Farmer/ Benny Golson Jazzetet, but it’s listed under Clifford Brown & Art Farmer Swedish All-Star…

Anyway it’s a good live album.

Stuartk, how true that music we don't get at all, will someday catch our fancy if we give it enough time. Many times, I have listened to recordings I didn't like a number of times because "Everyone says they are great", only to finally find myself understanding what the greatness was all about. 

Sometimes I don't ever get it, but I just chalk that up to my taste.