I read the manual online. It has a section on placement that I’m sure helps + also addresses isolation from floor as needed. That should cover it. After that I’d say on to DSP/EQ/room correction as needed. All par for the course. Or one can jump on the gear change merry go round and spend a fortune there while leaving a lot on the table still if the basics of setting up for good sound are not addressed first. |
@willywonka wrote ". . .Klipsch have never been known for having deep bass. They may have lots of bass but not really deep." RESPONSE: Hmmmm, not sure that "lots of bass but not really deep" makes sense. . . .Speakers don't have bass, recordings do. Speakers, of course, have some capability to reproduce it. Regardless, I'm speaking from my frame of reference. That is, relative to my full-range electrostats which have a steep roll-off below 50 Hz. The Cornwall extends significantly lower as it can reach down to 34 Hz. I call that deep. |
Klipsch Cornwall's sacrifice low frequency bandwidth for high sensitivity, see here! Mike |
In my system I have the Klipsch La Scala (AK5) for the past 6 years. I did not feel like I needed more bass or extension on the lower end. As the final part of my audio room, a few months ago, added a pair of REL S 212s. I did this not for the speakers, but for the room itself. Wow, really transformed my audio room and listening experience. The room has more depth, wider, deeper, & bigger sound stage on all tracts and whichever source was played. Even tracts with very little low end (female voices, piano, acoustic guitar) there is so much more nuance. Felt more like a live performance & I was seating in the sweet spot of the amphitheater... the whole room was transformed. To note – I did have a chance to listen to the newer AK6 version recently…I prefer mine, the AK5s…sometimes newer is not better. |
