@pindac
The idea of Aluminium - Duraluminium - Titanium - Wood having a influence on the Optical Read make no sense to myself, how are shadows being read influenced for the better by different materials used as the Body of the structure housing the parts that receive the transferral of produced energy?
This surely must be about vibrations from the stylus, and how they react with the body of the cartridge. If the body of the cartridge vibrates relative to the stylus, there is a potential feedback loop which will amplify the differences.
DS Audio mentions three types of aluminium alloy in their cartridge bodies. The tensile strength of A5052 is not much more than a third of "ultra duralumin" which I guess is probably Ultra-Super Duralumin - A7075. A5052 is mainly alloyed with magnesium, and is highly corrosion resistant. Duralumin is mainly alloyed with copper, and is normally faced with purer aluminium to minimise corrosion.
A5052 has better internal damping characteristics than A7075, which also has higher resonance frequencies. My guess is that these do make a slight difference?
Now, when we come to other materials like titanium and a number of exotic woods, the internal damping and resonance patterns will change again. Stone will also have different characteristics.
Notice that the DS Audio cartridges have rounded shapes, which probably help to minimise reflections.
Wilson Benesch has a titanium cartridge body which is laser fused from titanium powder into a complex structure designed to minimise resonances and channel what remains away from the stylus: TESSELLATE Ti Cartridge
I can see no reason whatsoever why ruby should sound better than sapphire - they are fundamentally the same material with different impurities.

