Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
jafant

Robert - a speaker could be designed to be driven by 2 amps as you suggest, or the effectively identical single stereo amp where each channel drives one XO. Or is it identical? I experimented with that 'vertical bi-amp' vs 2 separate amps vs one channel driving the whole speaker in the days of the CS3 (1983) which had dual inputs. The results from those very similar situations were different enough that we (Jim) would have made different XO circuitry decisions to attain the desired linearity. The reasons are real, but below the threshold that common 'wisdom' deems sonically important. 

There lies the far more gross problem of user misapplication of double inputs: different amps, cables, etc., but the problems exist even with the perfect implementation that you suggest.

The global transducer that we call a loudspeaker is a complex, reactive device. When drivers accelerate, move air, resonate and so forth, reactive electromotive forces with their electrical counterparts seek equilibrium withing the entire system. The positive signal and negative coupling reference are bonded at some point. In Thiel speakers that point is at the single binding post pair. If that point moves (such as moving it to separate amplifiers) many aspects of the global transducer are altered. Even if amps, cable types and lengths remain identical, enough has changed to require design modifications (in Thiel's design framework).

An advanced DIY builder might devise the required modifications to make the new system right. But that is a very long shot, and would only apply to the particulars of those particular driving components. The short answer is that the complex interaction of the variables makes the new configuration into a new design project.

Your query from a different slant raises some very interesting avenues of improvement. My journey has demonstrated that separating driver and even individual circuits from each other (in space) serves to simplify and clarify the signal propagation through the circuitry. Various distortions, primarily from field coupling, are significantly reduced without significant change to the primary (driver-XO) dynamics. The biggest deal is getting the inductors away from the driver motors. Note that any of our products that have separated XO panels that are mounted some distance from the drivers are better sounding products. The 2.4 with its 2 XOs mounted in the cabinet bottom meets those criteria. Compare the 2.4 to the CS2.2 XO mounted behind the woofer. Simply moving the 2.2 XO outboard fixed a major problem of what sounds like woofer bottoming. The splat at high power vanishes via cleaning up the field interactions. I am pursuing such improved layouts without the insurmountable baggage of multiple inputs or amps.

ig316b

No offense at all- Robert.  I value your input and participation here on The Panel.

Plus, you are one of the lucky fans/owners that experienced duramax747's operation. I can hardly await to hear and see it all myself. It is good to read about another Audiophile familiar with the Vandersteen 3A signature. it is a fine loudspeaker but sounds veiled in comparison to a Thiel CS 2.4 / CS 2.4SE.

As time allows, please make a Virtual Systems page. There are not many of Us who own a sweet pair of CS 2.4SE loudspeakers.  Enjoy The Music!

Happy Listening!

ig316b

I stand corrected: I see a Virtual Systems page. Feel free to update with current gear and speakers.

 

Happy Listening!

tomthiel

Thank You for taking the time to write about these Thiel Audio history lessons. As the lessons pertain to driver composite, density, linearity and reactive behaviors. All of this engineering is fascinating. To my ear-brain, adding a Passive radiator into the design and sonic chain, is simply outstanding! Model CS 2.4 is really a sonic marvel with carefully matched cables and electronics.  Stay warm there in the Northeast.

 

Happy Listening!

Hi All, 

It's been a while since I've asked a dumb question, so please forgive me....

Here's the problem. I have a 20+ year old Bryston 14BSST that I use with my CS3.7s.

It went in for service a little over a year ago, but several months ago it developed a low POP sound on the left channel when being powered down. 

Other than that, everything is wonderful. Sound and all....

So I figure I have some options, and would appreciate feedback if any -

1. The obvious, I have a call out to Bryston - this can go back to the shop. Problem will be it was 3 months turn around last time, and the freight back and forth is $$$$. I also wonder if im going to see 5 more years....

2. Not sure, but are the low level pops really bad for the speakers? 

3. Just leave the AMP on. Sure the electric bill goes up, but probably less than shipping for a few years. The caps where replaced last time...so the only real worry is the age of the amp and would this add to much stress?

4. get a speaker protection relay - don't know much about these, not sure how they will affect the speaker, and from what I've seen will be a project to create connectors for larger speaker wire.

5. eBay and get a new 14B3 - probably get killed by wife first.

Thanks in advance for any thoughts....