@vuch I had an original VTPH-2 that Kieth upgraded to an A. All together I had a Herron phonostage for at least a decade and really enjoyed. Keith is great and so was his gear. I’d still be running my VTPH-2A if it weren’t for the fact that I started Afton Mountain Audio in September 2024. Since representing Herron wasn’t an option, I needed to find phono amplification made by great folks that sounds just as good or better. Fortunately I’ve been able to take on partners like Aurorasound, LTA, Atma-Sphere, and others that allow me to show a wide range of vinyl playback equipment for clients at different price points. My reference Aurorasound Vida MK2 lets me run two MCs at the same time and switch between inputs to compare front end equipment, something I couldn’t do with my VTPH-2A. We showed it at CAF with a nice Pure Fidelity Harmony/Audio Origami PU-8/EBI Kuhmar and got some great feedback.
High Value Phono Stages
The current phono stage is an Esoteric E-03, which I am quite content with. I have an Origin Live Agile w Transfiguration Proteus on one input and an OG Kiseki Blackheart on an Audiomods 12" Series 6 on the other.
I have a third tonearm, an Audiomods 10.5" Series 6 in the system with a Benz Micro Glider on it going into the onboard phono stage of the Trinov. Which is OK, but not excellent. I have a 4th tonearm that may come into play some day.
So what do you like in good quality phono stages that may not be TOTL pieces. I know the Darlington is a popular answer. Graham Slee often is. Some folks like the SOTA Pyxi.
Thoughts on output devices, topology and so forth are certainly welcome. Not a SUT user so that is not on the table. I have to admit that small format stages are interesting, like the Ray Samuels Nighthawk.
Any thoughts?
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If by “high value” you mean an excellent cost to performance ratio, I would look at Lounge Audios LCR MkIII phono stage for MM cartridges, and he also has a SUT for MC cartridges. I purchased the Gold version two years ago based on a review and was stunned by SQ it produces from some “audiophile” LPs of the 1980s, including Sheffield and. Couple of 45 rpm LPs. And that is working with my Thorens TD126 MKII, which I purchased new in Europe in the 1970s and had refurbed and an Audio-Technica VM540ML. Price for his Phono stages range from about $500 for the base model to just over $1000 for his Gold model. I have no connection with the company other than being a normal customer.
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I picked up a second hand VDH Grail SB because MFremer said the basic Grail was a sleeper bargain and that transimpedience is quieter than voltage phonos.
I can relate. I feel the same way about their 2xxx amps which would be my end game. I’m hoping that my just purchased second hand Audionet Humboldt will get me there as my stab into top SS Sonics within budget. |
@kennyc If I have an unexpected windfall I can see replacing my Naim 252/300 with a Boulder 1110/1163 (or even some 1151 monoblocks) to keep my Boulder 1108 company. Probably not though. |
Notable phonos (prices not current):
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