Stretching out with other worldly and US jazz influenced music


I wanted to start a thread to show there is more than just Avant Garde and or Straight Ahead Jazz music in our world. And there is absolutely nothing wrong at all with Avant Garde and or Straight Ahead Jazz music as I do love that part of US Jazz based culture. But sometimes I want to hear and add more sound spices as it were, from other worldly and US jazz influenced music.

There is so much more other worldly and US jazz influenced music that goes unnoticed and it's time to bring those musics of different sound spices to the forefront to be shared.

Although I have started this thread I am not a or the moderator. Let me repeat I am not a or the moderator. I don't have the time nor energy to police anyone's take on the music they like and want to share. As I will always try and be open to others choices of music. 

tyray

@devinplombier,

I took a listen to Bohren und der Club of Gore - Tief gesunken (Live @ Teatar 78) last night and what impressed me about the music the most, from my point of reference is it sounded (to me) like a German jazz band playing their renditions of the Blues. And at/from my point of reference(s) it didn’t seem to or sound ’dark’ at all, to me.

And the skull? Didn’t bother me at all either, as Funkadelic - Maggot Brain - Westbound Records 1971 had a skull on the back of it’s album cover. Been there done that. Now, if you wanna hear something dark, check out Funkadelic’s - Maggot Brain - Westbound 1971

The album opens with a spoken word monologue by Funkadelic bandleader George Clinton, which refers to "the maggots in the mind of the universe".

[7] According to legend, the opening title track was recorded in one take when Clinton, under the influence of LSD, told lead guitarist Eddie Hazel to play as if he had just learned his mother was dead; Clinton instructed him "to picture that day, what he would feel, how he would make sense of his life, how he would take a measure of everything that was inside him and let it out through his guitar".[7]

[8] Though several other musicians performed on the track, Clinton de-emphasized them in the final mix so that the focus would be on Hazel.[3] Hazel utilized fuzz and wah effects, inspired by his idol Jimi Hendrix, on the track; Clinton subsequently added delay and other effects during the mixing process, saying: "I Echoplexed it back on itself three or four times. That gave the whole thing an eerie feel, both in the playing and in the sound effects."[7] Critics have described the solo as "lengthy, mind-melting" and "an emotional apocalypse of sound."[9]

A great thread :-) probably agon at its best when the gear takes a distant back seat…. 
 

might be a bit 2 mainstream but Gabor Szabo comes to mind and ear

@tomic601 

probably agon at its best when the gear takes a distant back seat…. 

I won't disagree. . . 

tyray

I suggest checking out the entire catalog of Dorothy Ashby.

All wonderful sound recordings and avant garde for her time.

Anytime I play an LP for unsuspecting friends they're glued to their seats listening.

Sadly, Dorothy's work is now "known" among hipsters, so a bin LP find is nearly impossible without a silly price. Looks like CD of her output is readily available.