I lost interest in "straight ahead" jazz at a certain point---I came up in "audiophile land" and all of us had the same records, I think. I had taken a plunge into the Vertigo Swirls a little more than a decade ago, and crossed paths with someone who asked me if I liked "spiritual jazz"-- I thought it referred to gospel, little did I know. Started buying various Strata-Easts, Nimbus Wests, Impulses (and Chad reissues of Impulses).
Something less cacophonous than "free jazz" but still unpredictable and unrestrained. I got a kick out of watching the TV series Bosch and seeing the protagonist chase Horace Tapscott records. I was enormously gratified to interview Cecil McBee recently as he reached his 90th year on the planet. Some of his work is more straight ahead, but he is on so many great records and he always finds a hidden line within a composition that adds, never detracts.
I can read music, but my playing days are long behind me. And though I did a huge amount of work in the industry as a consigliere, very little of it involved music that I listened to, with a few exceptions.
Today, all those roads converge for me--

