Grammy for AI generated music


I’m elderly and a seasoned listener. I am also a traditionalist and institutionalist. I grew up in Memphis,TN listening and having the honor to meet some amazing musicians — like Elvis, Issac Hayes, Al Green, Staple Singers, Otis Redding, Barkays, Booker T & MG’s, and Rufus Thomas. Stax Records, King Studios, Blues Alley, and Beale Street were only a bus stop away, where they sometimes welcomed limited resource black kids like me into the studios and clubs. Today, I heard a newly released, AI generated R&B ballad. It was strikingly good. The originator openly acknowledged that she could not sing nor play an instrument, but was very creative. AI gave her a creative vehicle. Will a day come when the Academy recognizes and lauds the people talent that oversees AI developed music? I for one think it’s in our music future. Much like film ultimately came to partner with stage.

wfowenmd

I am very concerned about AI alignment. But putting that aside... change is typically considered unique and bad this time:

1. Socrates (5th century BCE)
Yep, the Socrates. He warned that writing would destroy our memory and our ability to think deeply.
He said people would “seem to know much, while actually knowing nothing.”
Basically: “Kids these days with their papyrus scrolls…”

2. Plato (sort of continuing Socrates)
He argued that written language would lead to shallow understanding vs. living dialogue.
Plato feared technology would degrade the soul’s relationship to truth.
Ironically… we know this because Plato wrote it down.

 

3. The Medieval Church (15th century) — Against the Printing Press
Leaders feared mass printing would:
• spread heresy
• destabilize authority
• create too many opinions
• encourage the “uneducated” to think for themselves
They were… not wrong.

 

4. The 18th & 19th Century Romantic Poets (Wordsworth, Blake, etc.)
They feared industrial machines would:
• crush nature
• destroy the human spirit
• turn people into cogs
Blake literally wrote about “dark Satanic mills.”

 

5. The Luddites (1811–1816)
Actual textile workers who smashed early industrial factory machines.
Not anti-technology per se — they feared technology owned by capital replacing skilled labor and dignity.
This one was more “class-war alarm” than “the robots will eat our souls.”

 

6. Henry David Thoreau (mid-19th century)
Railroads, telegraphs, and industrial society:
His view: “We do not ride on the railroad; it rides upon us.”
Translation: technology changes us more than we change it.

 

7. Leo Tolstoy (late 19th century)
Hated industrial modernity.
Saw it as a betrayal of spiritual life in favor of materialism.
Wanted simplicity, manual labor, and spiritual clarity.

 

8. Friedrich Nietzsche (late 19th century)
Distrust of mechanization and bureaucratic modernity.
Feared mass culture would crush individual greatness.
Would have loathed Twitter.

 

9. Martin Heidegger (1950s)
One of the most influential modern critics of technology.
Feared that technology makes us view everything (including humans) as resources to be optimized.
That one… hits hard today.

 

10. Jacques Ellul (1954) — The Technological Society
Argued that once a technology exists, society becomes shaped around it, not the other way around.
Efficiency becomes the god.
Influenced basically every thoughtful critic afterward.

 

11. Neil Postman (1980s–1990s)
Amusing Ourselves to Death.
Television and mass media, he said, would turn politics and knowledge into entertainment.
He predicted the rise of spectacle-based politics with terrifying accuracy.

 

12. Jaron Lanier (2000s–present)
Early VR pioneer turned tech-skeptic.
Critic of digital platforms, attention extraction, and “flattened identity.”
More “gentle warning” than doom.

 

13. And yes… Ted Kaczynski (Unabomber) (deeply problematic but relevant)
His manifesto argued industrial technological expansion would eliminate human autonomy.

@au_lait - those are good points all!  In my view, though, art doesn't require anything but the artist's intent. 

@mahgister  The Rick Beato video he says... " I could just cover this song and says it's my song"  "They are NOT my songs they are actually versions of other peoples ideas."

Isn't that the evolution process of music? Rick went to school and studied 'other peoples music' for years. All genres and styles are taken from previous artists. That's why they sound similar. They all look and listen to other artists! Mick Jagger studied James Brown and developed his own version. Guitar licks from Van Halen or Jimmy Page have been modified endlessly.

Producers of music want artists to ...produce.   Taylor Swift is producing music albums at an incredible rate. Do you think she writes them all on her own? No way. 

It all about money...

For years talented song writers were paid for their creativity. Now AI does it free and has been used by top artists for years. It's simply faster to produce.

That song would take Rick Beato a long time to create on his own. AI did it in no time and the result even surprized him. He actually thought the end result was quite good.

He would like to censur and eliminate AI. Why? Because no one can make money. BTW... Suno makes millions and creates jobs for people to live on. How about that!

 

 

 

 

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@larsman That's also true, in a sense, especially post dada and let's say the 60s, but then again, the creative act brings the idea into form and without the act itself I tend to see it as creative or art direction (in laymans terms, not as in the professional titles). I'm not saying that an artist must master a craft, yes that's old world, but the act itself is where the truth lies. Its very easy to prompt AI and then lie to yourself that what it rendered is what you imagined! Anyway, this is some art school type debate that could go on in theory for the rest of our lives haha.