It is astounding that the very dealers who decried the quality of digital sound now routinely stream (in digital) when demonstrating downstream components, even when these rival luxury cars in price.
The benefits for the dealer are obvious - they can likely find whatever the prospect wants to hear in a minute or so.
Ask if they can play SACDs and you get blank looks - "oh, I think we've got a player somewhere". Even then, it will likely just be two-channel and a royal pain to set up.
My audition pieces include Benjamin Britten's own performance of A Young Person's Guide to the Orchestra originally recorded in analogue by Decca around 1963. This contains almost every instrument of the orchestra except the piano, and covers individual instruments playing soft and loud, building to a crescendo with the full orchestra playing to multiple cross rhythms. All in 18 minutes.
I do not have the analogue record, but similar sounds are on Sir Adrian Boult's recording of Elgar's orchestration of Bach, as noted by AI.
The record of Sir Adrian Boult's transcription of Elgar's orchestral arrangement of Bach's Fantasia & Fugue in C minor is a well-regarded recording with multiple releases. It was originally released by EMI in 1974 with the London Philharmonic Orchestra, and later reissued on LP by Mobile Fidelity Sound Lab (MFSL 2-501) and on CD by EMI/HMV (CDM 7 63133 2) in 1989. The 1974 recording was noted for its excellent sound quality and the performance has been praised by critics.
I also have Hyperion's recording of Shostakovich's Piano Concertos on both SACD (no longer available) and record. The second movement of the second concerto brings out the air around quiet piano notes, especially on SACD. Of course, streaming does not generally support multi-channel DSD, as far as I know

