Thanks for sharing such a detailed breakdown. It really highlights just how variable MC implementations can be, even among high-end tube stages. I can see your point on MC gain stage often being the limiting factor in many tube designs, and that the choice of SUT can dramatically change the outcome. I have not ventured into external SUT territory just yet for the reason that I am still working towards obtaining my ultimate cartridge and perhaps another phonostage.
Another concern which you succinctly pointed out is integration. Fortunately, I have a very high-quality tube phono stage with a well-matched internal MC gain stage allowing me to preserve tonal balance, dynamics and the flow of the music without having to tweak or compensate elsewhere in the chain.
That said, your observations on the Pass Xono and XP-17 are quite compelling. I can imagine how the Xono’s warmth and the XP-17’s cleanliness would complement different musical moods. It reinforces my point that system synergy often matters more than chasing one “perfect” stage. even a legendary SUT won’t solve mismatched integration issues.
BTW, you’re one of the few posters I’ve closely followed over the years. My return to analog was in many ways inspired by contributors like yourself and those with an incredible journey, their willingness to share knowledge and experience so openly, without any hint of bias or agenda. It’s that kind of generosity that keeps this hobby both inspiring and grounded.
Cheers!

