which excels at Rock and Roll


Room is 14X14' No treatments, but, room currently sounds great. Amp PASS X250.8, Fritz Carbon 7se bookshelves, LA-4 preamp, SVS SB3000 sub, Bricasti M5 streamer, Meitner DAC, only Rock and Roll, 85 or so DB   Considering used, Platimon VC 1, Arendal 15-28,  Marten  Oscar, Acora MRB-1, and Small tower, Devore Fidelity Gibbon super 9. There are others, but, I believe these would be the top contenders, USED?  Any and all responses welcomed. Love my FRITZ and won't sell. Just considering the above. Thanks, Robert TN

robshaw

@robshaw - You've got some great considerations besides the Martens, which yes, are on the pricey side, especially the Parkers with the stands.

Trip to Nashville might be worth it for that kind of coin to give some speakers under consideration a listen, otherwise you're kinda flying blind (or deaf, as the case may be). You'd get some idea of how they sound compared to each other, though they're likely to sound different in your listening space. 

There are places that let you audition gear at home for a certain length of time, and if you don't like, you can ship back with a nominal restocking fee. That's fine for some gear, but speakers??? Not something I would do.... 

I remember in the early-70’s the JBL L100 being sold as a "Rock ’n’ Roll" speaker.

@bdp24 I remember that and its the classic example of this myth. IMO it wasn't all that good at rock- it did all genres equally poorly. One of my employees restored a pair so we got to audition them extensively. I don't know anything about the reissue. 

 

 I totally agree Ralph. The original L100 (I haven’t heard the reissue) was actually "disgusting" sounding, not just wildly inaccurate and extremely colored, but also very amusical. Maybe the worst sounding loudspeaker I’ve ever heard (though there is also the Bose 901 wink).

 

I remember in the early-70’s the JBL L100 being sold as a "Rock ’n’ Roll" speaker.

I also remember that! JBL L100 being sold as a "Rock'' speaker is salesman BS.

JBL L100 brochure see here. No mention of it being engineered or designed as a ''Rock'' speaker. smiley

Mike

 

To start with, comparing home audio speakers to those at a live rock concert is silly. Being calibrated to send sound to cover an entire open air stadium will mean they can only lack nuance, for all their might and power - this is a matter of physics, not opinion.

There are those who will say that a domestic speaker that plays the genre of rock better than others, plays to the strength of rock, which is loud, raw, and less discerning of the subtlety found in, say, classical recordings. It is likely this opinion comes from those who have never heard rock from a speaker which hits with depth, raw dynamics….and absolute nuance. There is as much nuance in the rudest rock as there is in any other genre or music, in the same way there is as much slam in Ravel or Stravinsky as there is in the grungiest of rock.

It is for this reason that I believe Ralph is absolutely correct, that pound for pound, speakers are agnostic, and a well-engineered speaker which addresses the common disadvantages of its typology, will play with every ounce of slam and subtle touch of the same recording, as much as a badly designed speaker will make any music sound awful.

Lesser speakers, all of which predominate the entire spectrum of speakers made, will favour their strengths. Good speakers get as close to agnostic as one will find. Most speakers, even by the most heralded manufacturers in the world, are compromised, lesser speakers. They give one the sound of hifi, while failing to bring high fidelity to sound.

The limited sample size refers to one’s access to have critically listened to the various and highest states of development for each typology of speaker made, not merely the range of music played. And without the benefit of that, we cannot wax on about the tiny sample size of what we have heard. It’s true what is said about not knowing what we do not know.

I suspect Ralph was being polite and kind.

In friendship - kevin