Record Player - Phono Preamp cable recs….


Hello all,

 

So I’ve been pushing up the quality of my digital stream, and now I put some attention and love to my vinyl playback….

Current phono playback consists of: Music Hall MMF-9 and McIntosh MP 100 Preamp (Goldring Eroica lx cartridge). 

I was previously using Duelund interconnects, which left me very unsatisfied especially when compared with my digital stream. I experimented with a top of the line anticable interconnect (7.3 I think), which after burn in sounds very good, though admittedly I think I prefer my Silversmith Fidelium RCA to it as it seems just a bit more magical, open, alive, wide. 

So, I am now looking to upgrade the interconnect between my player and phono preamp. If I spring for a silversmith it’ll be a hair over a grand… but before I do that I was wondering what recs you all would have for a phono interconnect…. 

looking for super presence, jazz acoustic vocal strings horn… texture, tone…. Vivid hallucinatory presence… 

suggestions?

 

thank you all. 

R.

whyrichard

If I were you I’d probably just go for another pair of Fidelium interconnects as they seem to be working for you.  But for a cheaper option and given what you’re looking for I’d also recommend these used Acoustic Zen Silver Reference II interconnects that excel at neutral and natural detail/air with very good tonality (especially for a silver cable) and excellent imaging with an expansive 3D soundstage.  What they will not do is add warmth so if that’s what you’re looking for I’d go elsewhere, but at this price if they don’t work out you can easily sell them for little/no loss so very low risk to try and about half the price of new Fideliums.  Best of luck. 

https://www.usaudiomart.com/details/650236204-acoustic-zen-silver-reference-ii-interconnect-cables-rca-1-meter/

I'm not a huge fan of Music Hall tts. So that's where I'd put the $...on a better tt.

DIN > RCA is quite limiting in the selections for Cable Types that can be made.

RCA > RCA extends the options on Cable Types and choices exponentially. 

You have a cartridge that my friend owned and we expected to love it, sadly neither of us liked it. I think you should go for one with superior specs for imaging, i.e. both wider channel separation and especially tight center balance, i.e. o.5db

He was given it as a gift, lacked a Step Up Transformer, couldn’t play it, so I hooked it up here, broke it in around 50 hrs, it never sounded exceptional to either one of us. He bought a SUT, tried it in his system, same lack of enthusiasm. Other cartridges sound much more involving in both of our systems, they are both quite revealing.

New, I was buying boron cantilevers, I got lucky with a used sapphire tube on a Sumiko Talisman S sounds terrific here and there. Shapes, I have Shibata, SAS, Microlinear, brands Sumiko, Shure, AT, Grace, and friends bring their cartridges here, I should start keeping a list. I’ve convinced myself I can hear differences, it’s easy when someone else agrees, but I know we can hear what we want to hear, I try to protect myself from that.

The last few years I started taking risks on used cartridges, both MC and lately MM, and am extremely happy with vintage AT160ML, because of it’s beryllium cantilever and Microline Stylus. I bought two from this seller, found NOS in Australia (broke it like an idiot), and just bought a spare via Yahoo.Japan auctions.

https://www.ebay.com/itm/266426386882?mkevt=1&mkcid=1&mkrid=711-53200-19255-0&campid=5338381866&toolid=10001&customid=77915964-9bd3-11f0-9daa-356436643765

I have VAS check them before I play them, so far getting lucky.

Oh, I almost forgot, it tracks at nominal 1.25g which is another reason I use it rather than my MC's which track at 2.0g, I loved my shure V15Vxmr that tracked at nominal 1.0g. A member here tracks his AT160ml at 1.0g, I simply stay in the middle of the range given.