We are simply after better sonics vs just the gear. It's always been this way.
If you have a nice system why do you really need room treatments?
Yeah you may need an absorption panel if your room is completely open, ie. No rug or furniture, ie just lonely single chair. But if your system can't cut it in any room then it's a system problem and you should be able to discern a good system regardless of the room. Unless you put it on the roof of your apartment building but the Beatles seemed to have survived that effort
I think people go nuts with all this absorption acoustical room treatment stuff and it looks kind of awful. Once in a while you see a really cool looking diffuser panel and I would definitely want one. But to have a system that works really well without any of the acoustical panel distractions is a wonderful thing.
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maholl50"I’m curious about this. I think my system sounds pretty good but am wondering with room treatment would it sound better. Without spending a bunch of money how does one evaluate this?" I was a room treatment denier. There I said it. I was also a cable denier. However I have now recognized that being a denier is not the way to hi fi happiness. After some encouragement from friends in the hobby I added some sound treatments in my room, and they made a significant improvement. Total cost was about $800 from GIK. My system is posted so you can see the ceiling mounted panels. The panels on the sides are still to be mounted on the walls. |
Something is really off with OP comments. He has started 225 posts, and has had 897 replies, in the past 3 1/2 years. Somehow conveying details of his superior system and the room it is in is somehow problematic? Hmmmm…. further, only a month ago he made this comment on a different post: “Would you spend $250,000 for equipment in a room that just may not work out because of the way it's designed?? That room is gonna be an acoustical challenge it may never work out”. According to his logic, couldn’t you simply throw money into a system and magically make these “acoustic challenges “ disappear “?
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