Comparison of sonic qualities of some tonearms


I’m relatively new to the world of vinyl, listening seriously for probably only 2 years.  Of course, many big picture items (e.g. turntable, phono stage, cartridges) are discussed extensively on this forum, but I haven’t seen much discussion comparing different tonearms.  I would be interested to hear about different people’s experiences with different tonearms, mentioning the audible advantages and disadvantages of each tonearm, realizing that there is no perfect sound, although from what I read about others’ experiences, SAT tonearms may come closest, albeit at a very high price.  

drbond

Bill, No one is saying that the tonearm does not matter.  For myself, I am saying that the tonearm matters, but we can only know the tonearm by mating it with a variety of cartridges.  In doing so, over time, one can make a few judgements, but you/we can never get to the point of saying "this tonearm has no sound of its own".  That's just not even a good question.  You can get to the point of saying that with this or that cartridge, I prefer this tonearm over that or those tonearm(s).

Furthermore, as a scientist, I would caution against making correlations between auditory phenomena and structural elements of audio components, as in ..."The G series arms are magnesium.  The latter are much better, due to superior damping." The magnesium tonearm of the G series Technics probably is much better than the tonearm on the older SL1200 series, but it would take a lot of experimentation to know why and how.  Sorry to pick on you to make this point, but I see this tendency over and over again in posts on this website.

By the way, Raul really likes the silver Litz tonearm wire marketed by Audio Note, as do I.  So there is a Litz wire he would have supported.

One last comment:  Unipivots are inferior to double gimbals in my experience. 

Dear @billstevenson  : Sorry for your disappoint that time and what I gave you was not the silver Audio Note but the silver Zavfino ( I think   ? ? ? ) that I experienced too and that it does not likes everyone ( I like it over any cooper wires that I tested over time. ):

 

4Litz3Ag Pure Silver Tonearm Rewire - ZavfinoUSA

 

R.

 

Arm waving…..

any reasonably scientific evaluation will involve a lot of variables. The Porter controls the as designed arm variables but not the as built. Probably about as good as it gets…. 

I sort of know Max…maybe he is at the center of this gordian stylus knot…

Just buy a Viv Labs Rigid Float, breaks all the rules but sounds glorious with any cartridge I have tried.