Discuss The Viv Lab Rigid Arm


I am trying to do my due diligence about this arm. I am just having a hard time getting my head around this idea of zero overhang and no offset. Does this arm really work the way it is reported to do?

neonknight

"Skating force may not be an important factor in tracking error."

To unpack your statement a little bit, skating force is in part directly proportional to tracking angle error. The term "in part" enters into it if you are using an offset headshell. With no headshell offset angle, then skating force is directly proportional to tracking angle error. Think about it.

Really, why would we care about Ikeda-san’s opinion of the Viv? Can’t we form our own opinions by listening to it? He could tell us about its technical "shortcomings", to the degree the design differs from that of any conventional overhung tonearm with a headshell offset angle, but those are obvious.

Why does exotic audio gear cost so much these days?  Probably because the sellers think enough of us will pay their prices to justify their costs and need for profit.  But this has nothing to do with good or bad performance, in my opinion.

I have the Viv Labs Rigid Float 9", it wiped the floor against a Kuzma 4point, Kuzma 313ref, SME V and SME V12.

So to all the naysayers don't spout off about something you have never heard.

Viv Labs accept the overhang is incorrect and there will be more distortion.  But they claim that other beneficial factors outweigh the effect of this disadvantage.

First that there is less resonance; but this does not seem to arise from the incorrect effective length; rather from the fact the arm base is not fixed to the turntable.

Second they claim there is benefit from reducing required anti-skating force.  Surely the best way of achieving this is a parallel tracking design (eliminates it).

My take on all this is the company is being different for the sake of being different.  They believe that by distinguishing themselves from all the other pivoted arm manufacturers they will garner more sales than they could be competing directly; that although their science is questionable (to say the least) enough buyers will ignore this..

This doesn't make the design right or better.  We will not be able to reach consensus because there will be those who think it sounds better and those who think it sounds worse.  This is the central problem of uncontrolled listening evaluations.

 

@alan60 I use a Tonearm design that as a end product is a not too common design encountered.

I have always sought out opportunities to experience devices in use, and have learnt over the years some devices are able to really impress.

Your very clearly made known liking for the the Viv Labs Tonearm, along with the  the assessment, being it has proven for yourself, to be a more attractive arm in use that the ones you have mentioned, is quite a parallel with my own experience of a different Tonearm.

I have no longer any real intention to use the owned Tonearm Brands such as SME IV, or AudioMods Series Five.

Additionally after demonstrations, I know others who have departed from much more valuable Tonearms than the ones I have owned to give the priority place in the system to the same arm I am now using.

There are on occasions, a discovery made, that are requiring a ' Sat in Front Off' experience only, no amount of discussion (non experience) is able to show how the extremely positive impression is able to be made, and is able to impact on a person, changing with immediacy their long held views on what is right devices for themselves.   

Clearthinker, once in a while you don’t live up to your chosen moniker. But disregarding clarity of your thinking, have you found a single negative review of the Viv?