Why does rock concert sound suck?


I have been to two rock concert in the past year : Brit Floyd in Bridgeport CT and Eric Clapton at Madison Square Garden, NYC (last Monday)

For Brit Floyd I was about 40 feet form the stage and treble end was an ear-splitting distorted sound - the soprano solo on Dark Side of the Moon sounded like a chain saw running at 5x speed.

For Eric Clapton I was sitting at floor level about 20 rows behind the mixing desk - i.e., the opposite end from the stage. In this case the high top end was not so distorted, but the voices were still very harsh - seemingly a massive response peak at ~1500hz. Imagine AM radio with the treble turned up 20db.

I knew a lot of the words form the songs ahead of time of course, and just about recognized them, but otherwise the lyrics were unintelligible. The only exceptions were when he sang a quieter song - e.g., “Tears in Heaven” . Clapton moved back from the mic rather than place his mouth right next to it. Then the sound was quite listenable .

Of course managing the acoustics in such a big venue is no doubt a challenge — but does it have to be this bad?

oliver_reid

Because they think that louder is better. Gone are the days of making good sound in any venue, The Dead and ELP come to mind for QC.

By now many soundmen are deaf above 5kHz.

In the 70’s I sat 5th row for ZZ Top. Loud AND sweet.

Or maybe it was the Mad Dog 2020.

Agree with above, the musicians are also deaf I went to see Carl Palmer at a small venue and he kept ordering the volume to be increased until it was painful and drove folks out, the same with Mick Taylor and also The Other Ones.

The House of Blues when in Cambridge was the same concert going should be enjoyable.

What's there to fix. Go to concert, look around, masses loving it, you, the audiophile cringing, too bad for you. Live rock concerts and audiophiles hardly ever mix well.

"In the 70’s I sat 5th row for ZZ Top. Loud AND sweet.

Or maybe it was the Mad Dog 2020."

I bet you still have a thumpin'  headache...

I remember I went to a "YELLOWJACKETS" concert at the Berklee performance center in Boston 88. They had just released their album "Four Corners". The back up artist was Larry Carlton who played lead guitar on Kid Charlemagne. He had his set up SOO loud it hurt my ears so rather than get a ringing too early in the show I sat there mid 10th row with my fingers in my ears throughout his entire set. His volume just overloaded the hall. The Yellowjackets on the other hand, had their volume set at a lower volume. The drummer was on the back of the stage left side at a 45 dgree angle facing the mid hall with a oriental rug under his drumset, Which I believe helped to soften the kickdrum's reverberation off of the stage and into the hall. All in all the sound was much more evenly balanced. And yes their performance was I thought very close to the recording.