@hilde45 - the answer to your question really is - you get what you pay for !
$100 cables are generally mediocre performers because
- they may be built using bulk cable that may not really suited to Audiophile use,
- i.e. no advanced cable geometry is used
- they are lilkely made using OFC copper - UP-OCC copper is much better
- they will likely have mediocre connectors and insulation
If the budget allows look at Zavfino cables - for a little more money you will get
- cables that will sound noticebly better than most of the competition
- they are better made with quality parts
- they adopt more recent wire types and cable geometries
- and you can upgrade to higer grade cables as you feel it is required for even better sound
Take a look at the Zavfino thread for more information about them
These are very good cables to start out with
Arcadia OCC Interconnect Cable - ZavfinoUSA
Nova OCC Speaker Cable
Fina OCC power cable
As for your question
When you hear cables described in a certain way -- but not specific to your system -- how accurately do you find those descriptions matching up to what you eventually here, if you try the cables?
I do not pay any attention to cable reviews because...
- I am not hearing the music being played - I trust my own ears only
- the reviewer could be deaf as far as I know
- reviewers are paid for their reviews,
- so they sorta have to say something nice
- or they will not be asked to ever review again
- If the reviewer descibes the cable geometry and wire/insulation being used I might consider he is at least aware of what makes a good cables
- if the reviewer does not mention these aspects then I would not consider the cables.
This hobby is very subjective
- no two systems are alike
- no two listening environments are alike
- no two individuals hearing are alike
- no two musical tastes are alike
Also, we tend to review any component/cable using our favourite tracks, which may not bring out the best in their performance
- I have over 70 audition tracks for reviewing anything
- some are extremely dynamic and punchy
- some are live recordings in very large venues
- with lots of micro venue acoustics
- those little echoes and reverberations
- some are live recordings in very small, intimate venues
- where you can hear a pin drop
- or the truck passing by outside
- or the creaking of a person’s chair
- some have studio engineered environments with an exaggerated (i.e. overly wide) sound stage
- some have just voice
- others are full on orchestral pieces that allow me to hear individual instruments
- and one track recreates a superbly realistic small music hall from the 60’s in some back alley location
The secret to reviewing anything is to find tracks that cover a wide selection of sounds and not just favourite tracks
Hope that helps - Steve