Phono Stage upgrade to complement Dohmann Helix One Mk 2

@lewm , absolutely correct. It is like rumble specs in turntables. It is nice to be quiet but it does you no good if the lathe rumble is much higher.

@rauliruegas , I'm not sure where you are getting your figures from but with a bandwidth of DC to 20 megahertz the EIN of the seta L 20 is -134 dBu UNWEIGHTED. That is an unheard of performance. Granted I have not seen any independent testing and figures but even if Channel D was 20% off this would still be far in excess of any other phono stage that I know of. Even the lowly Seta L is better than the Boulder, 64 dB down A weighted VS the Seta L's 71 dB down, A weighted. That is close to 1/2 the noise level. 

@rauliruegas forget about other Kondo models, they are average. Have you heard the GE10 ? I have heard it in a full FM acoustics system and compared with a FM 222 phono in the same system. 

@mijostyn  : Directly from the Channel Dsite:

"" also feature low noise that ranks among or better than the world's finest phono stages. Here is a comparison of measurements performed by Stereophile (including issue dates for verification) of the signal to noise ratio (SNR) of moving coil phono preamplifiers, including our Seta Model L. Higher numbers are better. The quietest are highlighted in boldface.
 

The lewm imagination about RIAA is only that: imagination, he shows no facts but even if exist facts that it does not matters. Wwe audiophiles can have some kind of control of the playback recording proccess but no single kind of " control " of the whole overall recording proccess. So I must take care of what I can have control no matters what. Only lewm cares of what he has no single control at all. You agree with but I'm not. Period.

R.

Dear @pani : Never had the opportunity not even to see it. I know very well the Kondo design estrategy and japanese unique way of thinking and I know very well the Kondo silver caps.

Yes, for an all tube designs it’s not only very expensive but with excellent performance inside the tube limitations.

I was for almost 10 years a tube lover and have first hand experiences with almost all the best of the best tube electronics and I learned very carefully of its true limitations against the fully advanced designs in all solid state designs that is an almost not limited design alternative.

Look, it’s not fair for tube alternative to try and make comparisons against a way different electronics alternative that for me is a superior one and especially when we are talking of phonolinepreamps.

Everytime I make listening item comparisons, been analog or digital medium, I compare what the room/system gives against my several first hand experiences with live MUSIC seated at near field position ( that’s the way recording microphones are " seated ". ) and listening the same recording tracks that I know even how performs its click and pops.

I’m not married/biased with what I like but with what should be.

I respect other gentleman opinions and especially yours but we have different targets and due that I’m not a rich man I have to learn and learned by my self and with the advise of gentlemans with higher knowledge levels than me how with out all that money need it to be " there " I can be " there " modifiying, up-grading, building and fine tunning my room/system. As a fact from some time now I’m in the fine tunning stage.

R.

@rauliruegas , I am as neurotic as you are and do my best to choose the best performing equipment I can given the information I can obtain. Channel D lists the Seta L's A weighted SNR at 71 dB down but 67 is still better than the Boulder's 64. However, look at that Seta L20!  But the sad fact of the matter is that vinyl is inherently imperfect and generally much worse than the equipment we use to "read" it. So, I would not be so harsh on lewm. It is just a different way of viewing the same problem. Ours is also perfectly valid, neurotic but valid.