Could be a good thing that all of you believers of " snake oil " can answer for your self this questions:
What looks any electronic/speaker designer when choose passive and active parts in his design? what is looking the designer for the audio item performance? ( obviously that at choosed price point. ).
He has several targets but at the end and due that his audio items are for sale he looks for an audio item design that over time been and be STABLE suffering the lower time degradation he can achieve at his price point.
Boutique resistors, capacitors, fuses and the like not only are not stable ( all of you confirm it when talk of " burn-in " ) but " could or can change or change the overall audio item stability ( as a fact exist a risk for the audio items. ) an its designed operation conditions.
Again, no audio system can improves what is in the recording what recording microphones pick-up, only can degrade the audio signal.
COMMON SENSE is the name of the game not our imperfect and limited aged ears capacities.
R.
What looks any electronic/speaker designer when choose passive and active parts in his design? what is looking the designer for the audio item performance? ( obviously that at choosed price point. ).
He has several targets but at the end and due that his audio items are for sale he looks for an audio item design that over time been and be STABLE suffering the lower time degradation he can achieve at his price point.
Boutique resistors, capacitors, fuses and the like not only are not stable ( all of you confirm it when talk of " burn-in " ) but " could or can change or change the overall audio item stability ( as a fact exist a risk for the audio items. ) an its designed operation conditions.
Again, no audio system can improves what is in the recording what recording microphones pick-up, only can degrade the audio signal.
COMMON SENSE is the name of the game not our imperfect and limited aged ears capacities.
R.

