What do you choose first SOUND or MUSIC?


Hi folks,

We all like music otherwise we wouldn't spend bucks to listen to it's best. I have a friend who has a very decent inexpencive high-end setup and he mostly sacrifices the music he likes to a beeter recorded albums. Another words does that make a sence to listen to the music that is only good recorded to get the best from your stereo system in sacrifice to what you realy like to listen? I love Jethro Tull and I know that most of its albums very poorly recorded. On the other side most of Frank Sinatra's albums are very well mastered but whenever I would play Sinatra is just for the sport to test my stereo.
128x128marakanetz
Equipment serves the music!!!
A good system can serve better if properly used.
Choose good performance first then try to show it with better equipments, but it can't make performance than it really is.
The opposite won't work.
Why don't you buy a Steinway piano and play for yourself, insteady you spend big $$ on Hi-Fi.
The answer is very clear!
The reason is that not everybody can give good performance on a real piano(100% Hi-Fi).
Having a good Hi-Fi without good music is like to have a Steinway and you can't play.
If you can play like Horowitz, Steinway will give you a custom made grand and beg you to play.

Almost everybody chooses music first!
Don't spend big bucks to check your hearing but enjoy the music.

Good liestening to everybody!
Cool answers! I always choose the music first and even my analogue setup allowes me to "adjust" my tonearm to a different styles of music. Currently it's "positioned" to a Rock/Fusion with bright upper mids. Guess what? I lift it up a little higher from newtral position. On the other hand I had a little frustration that my rock collection became to sound dim with pretty musical units. I talked over specialists and they advised me to play with VTA which gives you wider possibilities to adjust your needs. Certainly, I do sacrifice for music and still continue to have fun.
marakanetz: give us a break. i think you're makin' this stuff up out of whole cloth and a smattering of audio myths derived from god knows what sources. provide us the details, if you can. in particular, explain this bit: ** I talked over specialists and they advised me to play with VTA which gives you wider possibilities to adjust your needs** does this mean you adjust the vta for each record? each genre? each mood? how do you keep track? is your arm metered? please give us a listing of your $100k system components

-kelly
No Kelly, to me Marakanetz makes very good sense. As you know, one can voice ones system very differently, by playing around with the VTA. The higher the angle, the more snappier the stuff gets, until the point is reached, where it gets bleached and screechy. I am lucky enough, to be able to adjust VTA from my listening position, in very tiny increments, so I can adjust it all by ear....and no Kelly, not with every LP, as the famed Enid Lumley used to do with her Mapleknoll.
Cheers, Detlof