What do you choose first SOUND or MUSIC?


Hi folks,

We all like music otherwise we wouldn't spend bucks to listen to it's best. I have a friend who has a very decent inexpencive high-end setup and he mostly sacrifices the music he likes to a beeter recorded albums. Another words does that make a sence to listen to the music that is only good recorded to get the best from your stereo system in sacrifice to what you realy like to listen? I love Jethro Tull and I know that most of its albums very poorly recorded. On the other side most of Frank Sinatra's albums are very well mastered but whenever I would play Sinatra is just for the sport to test my stereo.
128x128marakanetz

Showing 2 responses by detlof

Many so called audiophile recordings are musically a pain in the a..hem... ears. Well recorded, but no musical content of lasting value IMO. All more noteable, the exceptions to this rule, of course ! An audiophile, who is a music lover, will by necessity have to listen to music, which is badly recorded from time to time. ( Recent example: Abado's rendering of the Beethoven Symphonies with the BPO on DGG ) This is the main reason, by the way, why I personally find the idea, that a stereo rig should be built up in a way, that it must aproximate a facsimile of the recording venue as closely as possible, a bit questionable. If for example my listening were to be confined to the music on HP's list of best sounding recordings on TAS, I'd probably soon get bored. So I've built up my stereo in a way, to give me a bit of leeway in voicing it one way or another, with the intent, to bring out most of the musical content of the recording I'm listening to, no matter how well or badly it was recorded. Its a tricky undertaking and I feel the prerequisite for it is a good aural memory of all sorts of live music.
No Kelly, to me Marakanetz makes very good sense. As you know, one can voice ones system very differently, by playing around with the VTA. The higher the angle, the more snappier the stuff gets, until the point is reached, where it gets bleached and screechy. I am lucky enough, to be able to adjust VTA from my listening position, in very tiny increments, so I can adjust it all by ear....and no Kelly, not with every LP, as the famed Enid Lumley used to do with her Mapleknoll.
Cheers, Detlof