Woodsong Garrard 301, Artisan Fidelity 301, Shindo 301, SME 301, or etc.?


I feel fortunate to own a beautiful Woodsong 301. Chris Harban is great to work with and has an incredible amount of knowledge. I believe he is among a handful of the best restorers. Artisan Fidelity seems to also do a great job and may even surpass Woodsong. And there are others in the cottage industry doing restorations.
Then there is the venerable Shindo version and, now, SME bought the original Garrard name and design and has come out with version using mostly original parts but saying that they aim to manufacture new. But the general view says that the SME one doesn’t compare to the great restorers. Has anyone bought any of these or others?
mglik
mglik

Thanks for posting this thread. Please post your system, so I can see pics of your Garrard.

I have a modified Garrard 301 in a Woodsong plinth as well. I am not a diy guy, but would love to hear a 301 with all of the mods made by @dover

My 301 was restored by Audio Grail. It also has an Audiosilente idler wheel, Harban eddy brake, and a Shindo platter/bearing. It is on Nordost SortFut. It came on Stillpoints, but taller feet due to the size of the Shindo bearing.

@scar972 Great looking room and turntables!

@pcosta The EMT is a big time audiophile qualifier.

Jim Perry


@jperry Thank you. I really like your Garrard 301, your Ikeda tonearm is a beauty and on my list when the time comes.
@bukanona
Yes the CTC rod is a good compromise - less friction and inherently more stability than a ball. Good luck with the motor switching mod, as you say it is not hard.
@jperry 
would love to hear a 301 with all of the mods made by @dover 

Thanks for the vote of confidence.
My 301 is not my main reference table, but it handily disposed of a Platine Verdier which I had as a second turntable ( for 78's and mucking around with arms/cartridges etc ). It wiped the Verdier and a Micro Seiki for timing and coherence and digs just as deep in terms of resolution.

Your 301 looks great. Audio Grail, Woodsong, & Artisan Fidelity all do beautiful work. The most important thing they do is actually the motor rebuild - it is not possible to relube the bottom bearing in the motor without dismantling it. After I rebuilt my motor with new bushes and truing everything up, not only was the noise reduced considerably, but it actually runs much cooler.

I run a Fidelity Research FR64S/B60 on it which seems very synergistic so I'm assuming your Ikeda would be great. Most of my audio visitors are shocked by my 301 ( in a good way ) when they hear it. 

@scar972 

I have also replinthed and tweaked a 401 for one of my listening buddies - starting with an Audio Grail 401 I built a custom plinth from engineered stone, did the power switch mod, and a few other tweaks - 11kg brass platter and new bearing, artisan fidelity idler wheel.

On that we've run a Helius Omega, Moersch DP8 and now a Kuzma 4Point11. The Kuzma 4Point is producing excellent results on the 401 with Kuzma CAR50 & Van Den Hul Colibri.

So thus far my 2 favourite arms for the Garrards are the FR64S & Kuzma 4Point. ( I also have Naim Aro/Dynavector 501/Eminent Technology ET2 and a few others kicking around for comparison ).

Chris Harban advised me not to switch to a much heavier platter.
That the 301 motor was not designed to move that much weight.
Although it does seem like a heavier platter would add thrust and a stronger tone. And the available heavy copper or brass platters are $1-2K. Does anyone have experience changing from a lighter to heavier platter?

A huge upgrade to my TT rig was putting it on a SRA VR platform. As always, never imagined there could be better SQ but I just changed from the entry level VR to the mid line Ohio Class.
Wow, what a difference! Why Ohio Class? Because SRA makes vibration control for nuclear submarines. Much more $ than a heavy platter but waaay worth it.