As others probably have already said, if the ambient cues aren't on the recording, you won't hear it in your room.
In my opinion, the only way to get a natural soundstage that extends beyond the edges of the speakers, is to record a live event, with care taken to capture the venue ambience. Soundboard recordings are unlikely to do this.
There are studio recordings that use panning, phase and other 'tricks' to get sounds to come from beyond the speakers, but those types of techniques come off (to me) as a bit gimmicky.
Classical recordings, where the soundstage extends past the outside edges of the speakers, are almost a given, not the exception. At least as far as I've been able to discern.
But I consistently get soundstages that extend well beyond the outside edges of my speaker (and very deep, too). The illusion of instruments coming from 4 meters beyond the outer edges of my speakers, is not unusual. I've had my dog go running out of my room, growling at the violin that she thinks is coming from down the hall.
In my opinion, the only way to get a natural soundstage that extends beyond the edges of the speakers, is to record a live event, with care taken to capture the venue ambience. Soundboard recordings are unlikely to do this.
There are studio recordings that use panning, phase and other 'tricks' to get sounds to come from beyond the speakers, but those types of techniques come off (to me) as a bit gimmicky.
Classical recordings, where the soundstage extends past the outside edges of the speakers, are almost a given, not the exception. At least as far as I've been able to discern.
But I consistently get soundstages that extend well beyond the outside edges of my speaker (and very deep, too). The illusion of instruments coming from 4 meters beyond the outer edges of my speakers, is not unusual. I've had my dog go running out of my room, growling at the violin that she thinks is coming from down the hall.