Refurbish Fidelity Research Tonearms


Would like to refurbish my FR-64s .... Has someone made it? Experience? Who? 
128x128syntax
I’m not sure about the above video?
does it look like a finger is rubbing on the first clip?
also, why are comments turned off?
just curious....
If the cover over VTF spring is still attached, use a suction cup to remove it. Also, modern damping grease is available from Nye Lubricants. I used Nyogel 774H5 and am VERY happy with results.
@lewm , "I also think that the advantage of direct wiring from cartridge to phono stage, especially with LOMC cartridges, mainly eliminating connectors in the signal path, outweighs the flexibility in choice of wire made possible by those connectors."

I know someone else that feels exactly the same way. FR arms may be beautifully made but they are archaic. Boat anchor tonearms and low compliance moving coils are a sure recipe for accelerated record and stylus wear. With modern technology, light armatures and rare earth magnets, stiff compliance cartridges should be a thing of the past as well as the heavy arms needed to hold them correctly. As far as audio is concerned I have no desire to relive the past. There is nothing special about it. Technology and wisdom move on. It seems some audiophiles want to spin wax cylinders. Not me. I am for the best sound and I do not care what it takes and I try not to move backwards in that quest. That is what being an audiophile is about, the best sound. The love of music is another issue. 

Given that speakers are low impedance devices especially our ESLs keeping the speaker wire short is at least theoretically beneficial regardless of the amp being used. I have been running my system this way for decades even before balanced inputs became common. I did not like the idea of keeping big class A amps anywhere near low level equipment, just a knee jerk instinct. 
With modern technology, light armatures and rare earth magnets, stiff compliance cartridges should be a thing of the past as well as the heavy arms needed to hold them correctly. As far as audio is concerned I have no desire to relive the past. There is nothing special about it.


You have to try Miyajima Kansui as an example of modern low compliance design. About Miyajima Cross-Ring patent watch this. The rest in this cartridge is traditional (aluminum cantilever, shibata stylus, wooden body), even specs are “nothing special, but the sound is very special (reviews are crazy about it). Many of those super advanced cartridges with exotic parts and impressive specs in reality are just boring as hell compared to the Miyajima. Those Japanese designers really know what they are doing now, and they knew it 40 years ago too, they don’t need parts from Mars to make their cartridges exceptionally good.


Some of the best analog records recorded and pressed 30-50 years ago, old mastertapes still the best source for audiophile reissues today. The whole analog is technology from the past.

Manufacturers like Miyajima (Otono- Edison Lab.) follow the great Japanese traditions (in cartridge manufacturing), but with their own unique tweaks . They are absolutely fantastic modern low compliance MC with the most involving sound I have ever heard (from MC type)!

And heavy tonearms like FR or Lustre are great for those modern low compliance MC!


Miyajima-San is a big fan of Audio-Technica (Technihard) headshells - his best recommendation for Miyajima cartridges.

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