NOLA Boxers in my space


So I picked up a pair of new NOLA Boxers undemoed because a) the price was right and b) they were piano black instead of that (for me) kinda garish cherry.

For years, it's been my blasphemous contention that speakers are going to be right as long as everything upstream is right. So I'd rather have an excellent front end and okay speakers, than great speakers hitched to an okay front end.

I have been gradually downsizing my system, and had Carver Amazing Platinums for almost 20 years, so am intimately familiar with the magic of that big sucker. Got the NOLAs, put them on some Dynaudio stands (the Stand 3, their most attractive one), and sat down to listen.

Rest of the system, by the by: First Sound Reference passive, PS Audio 250 Delta monos, Sony XA20 ES CD player. Didn't have a chance to hear them with my (now gone) Maplenoll Ariadne, but have a Thorens 2030 coming that I am very interested in hearing with them. (Will be putting a Grado Reference Sonata on).

I don't do a lot of audiophile talk but tonally, they were almost identical to the Carvers, which kinda didn't surprise me. The Carvers had a much bigger image, of course, because they're the size of a door, right? But once you remove the extremes from consideration (the Carvers go higher up and down), the heart of the music is, tonally, the same. This is good, because it means that the speakers aren't adding a lot to what you hear, just doing the window thing.

Even brand new (I still have less than 20 hours on them), imaging is pinpoint, actually better than the Carvers, which tended to present immense pictures that weren't all that precise, like Gerhard Richter, for you visual arts nerds. Image specificity is very good, and there isn't any of that box sound that I used to find so annoying in box speakers. The soundstage just sits there as the speakers vanish.

And this is, mind you, in a room that isn't at all set up. I just unboxed them, plopped 'em on the stands, placed them about 6 feet apart and firing straight ahead.

I don't really believe in audiophile recordings, but one disc I live a lot is "Flight of the Behemoth," by Sunn ))), and the track "Mocking Solemnity" in particular. It's a monstrous thing, as Sunn believe in the power of high-volume, low frequency sonics, presented as a big, multilayered, glorious drone. Most importantly, their stuff has bass galore.

No, the NOLAs weren't the equal of the 4 12-inch woofers per side on the Carvers, but there wasn't any real LACK of bass either. The sense of the song's immensity was present, along with the glorious atmospherics. Ran through some favorite jazz and classical discs, and the tonal qualities were preserved. And Bjork, in particular "Pagan Poetry" from "Vespertine" is a lush tapestry of sonic artifice. There's all kinds of stuff going on, and the NOLAs lay it all out there, while making Bjork's voice sound as glorious as it should. No tizz, no glare, no teeth-gritting artifacts.

These little babies strike me as very musical and neutral, which doesn't surprise me. I know that (retail) $1500 is cheap in audiophile land, but you can design an excellent two-way bookshelf speaker for that price. NOLA have certainly done so. For me, they're keepers.

Just wanted to put something up, for folks who might be wanting to know how these things work in the real world. Thanks for reading.
kevvwill
No worries, Soix. Audiophile recordings are, generally, musically bankrupt, aimed at demonstrating sonic purity (such as can be attained with wires and stuff), rather than musical ones. Back when I was reviewing, and would hit CES shows, I wouldn't even enter rooms that were playing audiophile recordings. Such things don't make anything stand up except my legs, heading for the exits.

And you misunderstand me. I have been prattling around with this hobby for more than 35 years, and have had speakers in my room from the likes of ALON (before they were NOLA), Thiel, Vandersteen, Sound Lab, Apogee, Magnepan, you name it. The Carver Amazings that I downsized from were better than ANY of them. Tonally, the Boxers are right. I know they aren't the totems that many seek, but please don't presume that I haven't been around the block and back, or was just born yesterday, so to speak, in this audio business.

Now. What I was searching for was a) tonal qualities similar to what I had with the Carvers and b) something that worked in the space that the speakers were going to occupy. The Boxers are that speaker. Were I searching for the ultimate in speakers, I would have kept the Carvers and been done with it. But in my world, I don't want things to be big and intrusive. Not any more. The days of air-bearing turntables, pumps, fully treated rooms and giant audiophile snakes are over for me. I even looked for (shudder!) a good-quality in-wall speaker, but couldn't find one that moved me.

Speakers are indeed the most obvious manifestation of the Audio System (tadaaaa! let the heavenly hosts sing). And I am more than respectful of, and happy to allow you to have your view. But I have heard too many speakers in mine and other systems not to believe that if everything else isn't right, the speaker isn't going to be, no matter how good it is. Because ultimately, it is the speaker's job to make sound out of what it gets from the rest of the system, right?

A fuller-range speaker gets you more extension. But tonally, a smaller speaker should be as right as a larger one.

Now, I know that bookshelf speakers don't have the Dudus Audiophilus stamp of approval. But the fact of the matter is that a good bookshelf/stand speaker, which the NOLAs are, will deliver 99% of the music that matters. No, they aren't huge, and people don't walk into the listening room and say "Whoa," as they did the the Carver Amazings. But they play music. And isn't that the point?

As for WHAT I choose to listen to, again, music, and MY musical tastes, is precisely the point. But where we differ is that I am not an "audiophile and music lover." I am a music lover who understands that nice sound quality can get me closer to the music that I love, whether it's Wu-Tang Clan, Bjork, Melt-Banana or Brahms.
only on an audiophile forum could someone write a long review explicitly stating how pleased they are with a pair of speakers and be told that they should "explore some of the better speaker offerings out there."
Wu Tang Clan. Nola Boxers. Audiogon thread.

Never thought I'd see that combo. "Even if I'm smoked out, I can't be scoped out".

Thanks for sharing, Kev.
Ha! Rumadian, "Kids That's Rich" from Raekwon's "Vatican Mixtape" really is a great recording of the male voice. His style has characteristics that the recording, whatever the artifice going on in the background, does an amazing job of capturing. And the bass line is just insane. An all-time head-bobber.

And yesterday, I lost about a half-hour to the amazing "Snuffbox Imminence" by Ghost, one of the best super-trippy Japan bands extant. Like Acid Mothers, only without Kawabata shredding. On Drag City.