Klipsch Cornwall IV


Hello all,

I'm interested in what people who have heard the speaker feel about it. I currently run spatial M3 turbos and have an all tube analog setup ( line magnetic, hagerman ) with an oppo 105 being the digital front end.


Previous speakers have been acoustic zen, reference 3A, Maggie 3.6, and triangles. I am more concerned with a huge immersive sound stage than I am with pinpoint imagery. I have a big room and have plenty of space between the back wall and my speakers if I need it.


Any thoughts?
128x128simao
@chorus.   My turntable is a VPI HW-19 MK4 with a Hana ML running to a Hagerman Trumpet phono pre - which just arrived a few days ago and is breaking in.

And yes, Decware is right up the road from me and is always an option. I've visited Steve's workshop and place a few times along the audition road.


Interesting about the Oppo - some say it is indeed a consummate swiss army knife of a player that sounds terrific on its own, and others deplore its sound. Compared to my analog rig it sounds a bit thin, but I have many times more money and time invested in my analog rig.
@saburo, you wrote  "My only nit to pick is tonality of some instruments."  Since the CW IV is said to not have horn colorations, would you mind giving more detail on your comment. Thanks.
If you are looking for the true klipsch sound you have to buy one made prior to 1981 otherwise you are buying an asian drivered klipsch not an american drivered klipsch and there is a major difference.

Seriously? You ever hear the phrase, “if you don’t know what you are talking about, you should probably stop talking”? Yeah, well that applies here.

All Klipsch Heritage speakers are designed in the USA  by Roy Delgado and manufactured in Hope AR.

I guess you aren’t quite the “speaker master” you think you are........
@mlg  In comparison to classic series Spendors and the Harbeth world I came from; string and wood instruments are easier to pick out like violin vs a viola or clarinet vs a bassoon. etc. than on a the CWIV. I can't call it a horn coloration per se but rather a deviation somewhere in freq response. Another shortcoming is the tweeter, its extended and doesn't call attention to itself like past Klipsch speakers but the treble isn't detailed and lacks clarity. Like I wrote before, the CWIVs can be very resolving, more so than a speaker with a much lower sensitivity being superior at dynamic contrast that will leave a Harbeth sounding impotent. It comes down to tradeoffs, if you want dynamic expression that will suspend your disbelief that you're at a live show, the CWIV is masterful at this. Choosing CWIVs will ultimately depend on your sonic priorities, the rest of your system and the type of music you enjoy most.