Moving up the Harbeth line


I was fortunate to move my home office to another room which is a bit bigger than the previous one. Dimensions are 12x13 with almost 20-foot ceilings. As much as I love my Harbeth P3esr's, I can't help but notice that they've been outclassed by the bigger room, especially the high ceiling. This pair of speakers has been a mainstay in my home office/study for a number of years, and I find it to be a perfect fit for my listening habits and music preferences. But in the new setting, it's not able to fill the room as well as it used to. For examples, horns and piano now sound much smaller and distant. So that got me thinking of an upgrade. I have been using a Raven Audio Blackhawk MK3 for a few months and would want to stick with it if possible. There are very few speakers that have allowed me to make an emotional connection with the music, and Harbeth is certainly one of them. So my preference is to stay with the brand.

Now, before the 'search bar is your best friend' folks come swinging at me, I have read a few threads on similar topics but they all seem to be inconclusive, or at least I'm not able to decipher a reasonable consensus. Having spent way too much money on this addiction, err, hobby, in the last 12 months, I have to resort to buying used equipment only, and that too has to wait for at least 2-3 months. So, doing an in-house demo is going to be difficult if not impossible. And, AFAIK, there are no dealers nearby (Dallas area) either.

I would love to hear from people who have moved up the Harbeth food chain. The M30.x seems to be a logical next step, but I see an equal number of negative opinions (too polite, too boxy, pipe and slippers) as positive ones. Is there anyone who thinks that the M30 retains the same magic as the P3esr's but serves it in relatively bigger portions? Because that's what I'm mainly looking for to be honest -- a bigger version of P3esr. Or do you think the cons negate the pros offered by the bigger cabinet size?

Next up is SHL5+. Again, the opinions vary widely. Some are saying that this particular model deviates the most from the classic Harbeth sound. Another concern is that my room might be too small for them (?). Also, I cannot pull them more than one and a half feet from the front wall. Is that going to result in ugly bass problems?

I'm not against trying another brand, but would prefer an opinion that is based on an actual comparison with Harbeth speakers.
128x128arafiq
Glad to hear the M30.1s are a clear improvement over the P3ESR. All the differences that had been described mirrored my experience as well. The M30.1 has a monitor sound which is more controlled than the domestic models (P3ESR, C7ES3 and SHL5). It has a forward and dynamic presentation where the sound leaps out more from a silent background. The same experience when you hear everything pops out more. The other Harbeth play it safer with a smoother or flatter presentation.

Enjoy the M30.1. I do think it is an overall better speaker than the P3ESR although all Harbeth are great. You may need some time to acclimatize to the presentation of the 30.1 since it sounds quite different from the P3ESR as you currently experience. Listening fatigue may be slightly higher with the added dynamics of the 30.1 but it’s still very smooth at the top. In other words the treble doesn’t sound bright or shrill and the overall sound is still smooth, full and warm, not harsh.
@ryder -- Now that I have had some more time with 30.1s, I can say without a doubt that they have far exceeded my expectations. They sound glorious in my home office, and a substantial step up from the P3ESRs. Right now, they are a little too close to the front wall due to the way the rest of the furniture is laid out, and this is causing a little bit of boominess on some bass heavy tracks. I pulled the speakers out by about 6 inches and that took care of the problem. I’m going to rearrange the furniture this weekend so I can position the speakers optimally.

Now, here’s something else I did that took me by surprise. So my main system in the media room consists of Sonus Faber Olympica II driven by Luxman 590AXII. On a whim, I hauled the 30.1s to the media room last night and connected them to the Luxman. I couldn’t believe what I was hearing.Yes, it was one of those cliche’d jaw dropping moments. The Harbeths sound so much more musical than the Olympicas that I’m now questioning if I need to just sell the SF and buy a pair of 30.2s instead.

As good as the Luxman/SF pairing is, there are a few issues with the way they present the music. Mind you, the issues are relatively minor and some of them I didn’t even realize existed until I swapped the SFs with 30.1s. The first problem is that on some songs I could feel just a tiny bit of harshness (brightness), and I always felt that the midrange could have been richer. I chalked it up to the neutral nature of Luxman. The second problem was that the vocals were a bit recessed for my liking, plus I could hear some sibilance, although very recording dependent. The way the Olympicas portray the position of the singer is as if he or she is standing alongside, or maybe even a couple of steps behind other musicians. With some songs I felt that the drummer was either in front of the singer or on the same horizontal plane, which always came across as a bit unnatural to me. In a few concerts and live jazz events that I have attended, the drummer is always behind the vocalist by a good 5-10 feet.

Once I paired the 30.1s with Luxman, it was definitely one of those educational moments where you learn more about your preferences -- something you did not even know existed until you experience it. So here’s a quick summary of the Luxman/Harbeth 30.1 combo ...

- Much more musical -- which for me means more warmth without sacrificing detail retrieval.
- No harshness/brightness -- I played some songs that I knew didn’t sound amazing on the SFs, but the 30.1 just took the edge off without losing anything else in the process. Even some old 80’s recordings sound more bearable.
- Improved vocal representation -- I understand that this might be a personal preference, but I like the way the singer is the most prominent element in a song -- a couple of steps ahead of the rest of the musicians. The drummers are in the background, the way I like it. The famed Harbeth vocal prowess is at full display here.
- The disappearing act -- this should come as no surprise though. The 30.1s disappear far better than the Olympicas. The music starts from the center and flows in all directions from thereon.

I will do more comparisons in the next few days to make sure it’s not just a case of the ’new toy’ enthusiasm. But at this point, I’m seriously considering another Harbeth. The question is which one -- 30.2 or SHL5+.


Arafiq, the comprehensive and detailed account is surely useful. I’m glad the 30.1s have worked out well in your system, particularly with the Luxman L-590AXII. There’s nothing more for me to add here since you will be more familiar with the speakers when you spend more time with it.

My very brief experience with 30.1 vs 30.2 is the latter sounds more open and forward than the 30.1. However, there was an owner of the 30.1 who upgraded to the 30.2 and felt that listening fatigue was a bit too high with the 30.2.
SHL5+ is a much larger speaker than the 30.1 and will have a larger sound and fuller deeper bass. The sound will be slightly tame in the sense instruments and vocals do not pop out from the background as much as the 30.1. However, the SHL5+ is an airier, leaner or lighter sounding speaker(as opposed to warmer and fuller/thicker sound of 30.1) and will need more space from wall boundaries to sound good.

Lastly, the 30.1/30.2 that you have now is one of the best if not the best when it comes to reproducing human voice to sound as life-like or natural as possible. Even the SHL5+ can’t match the 30.1 in this respect. There are many high end speakers costing much more than the Harbeth that do vocals well but the Harbeth just have that extra edge or magic.

Enjoy ~

For your larger room, perhaps the 30.2XD or 40th? That way you keep the general sound profile (including unparalleled midrange/human voice reproduction) but gain, presumably, from the slightly more open and foward dynamics invited by a grander space.  There occasionally are some terrific deals on lightly used 30.2s here and on USAudiomart.   A nice set of subs would then balance everything out.   
@arafiq  As has been pointed out, the larger models above the 30.X are not all cut from exactly the same cloth.  I think you'd find more "family resemblance" between the 30.X and the 40.X rather than the SHL5+.  If you can accommodate them, the 40.X's would be a superb replacement for the Olympicas.  Gently used regular 40.2's are now affordable; the Anniversary model adds little but price, and the 40.3 XD bears a relation to it rather as the 30.2 does to the 30.1, and is now wildly expensive new.