Azimuth: how critical is it?


Have restored a vintage Pioneer PL600 turntable that I use in my second system.  Currently using a Sumiko magnesium head shell and a Hana EL cartridge on it.

Honestly, the sound is quite good - surprisingly so given the minimal investment.

However, my azimuth is slightly off and I’m still trying to figure out how to correct it.  I may need to resort to shims if the arm doesn’t provide for it.

What am I missing with this problem?  
It has bothered me enough mentally to consider a new table but I’m thinking I’ll need to invest at least $3K or more to achieve an improvement.

Thoughts?
bobbydd
Azimuth primarily affects two things: L/R channel crosstalk and L/R relative phase. Trying to figure out either of those things visually is not very reliable, as the actual position of the cantilever relative to the cartridge internals is not visible to you.

We use software to measure crosstalk and phase, with the priority on phase as the optimal point for phase is usually close but not necessarily at the exact same point that is optimal for crosstalk, and in my experience small deviations in timing are much more noticeable than the small amount of additional crosstalk you accept in exchange.

Rather than a new turntable or new tonearm, you could also consider a cartridge that has a ridge along the top. This lets you adjust azimuth a little bit by alternately loosening and tightening the screws.
Do you have the silver or the black PL600? On the black one, there is really no way to adjust the azimuth except to make micro adjustments by loosing that little screw at the top of the head shell adjusting the headshell one way or the other, and then tighten the screw again.

However, you mentioned shims in your OP, which really don't have anything to do with azimuth, but more with VTA. Also, have you tried the pioneer experts forum?
What am I missing with this problem?
It has bothered me enough mentally to consider a new table but I’m thinking I’ll need to invest at least $3K or more to achieve an improvement.

Thoughts?

Save your money. Relax. Azimuth is not all that.

First, nothing is all that- unless you can hear it. Is your stereo image all fubar? No? Of course not. Or you’d be complaining about that, and not this imaginary azimuth problem.

Go on YT or Soundsmith and watch Peter Ledermann talk about azimuth. It’s not that it’s not important. The problem is it is far from the only thing you are changing when you adjust what you think is azimuth.

The real azimuth adjustment that matters is like nekoaudio says way up inside the cartridge body where you cannot see. The alignment is between the coils and magnets, which we cannot see, with the surface of the record. When we align azimuth by sight we are relying on these inner parts being properly aligned with what we see on the outside.

But twisting the cartridge body to adjust azimuth affects more than this. It also twists the stylus. So if azimuth is off you have the choice- do you want the stylus perfectly aligned? Or the cartridge body? Or the stuff on the inside that you cannot see?

The only real means of doing this then is by ear. Listening is really the only way to know what if anything is better or worse when adjusting azimuth. There are instruments you can use. I have used them. They are in my experience useless. That is to say, there was no real difference before and after adjusting.

Compare to VTA, which is huge. Compare to VTF which does make a difference you can hear. Azimuth is so far down the list, to throw away a perfectly good rig just to gain azimuth adjustability, well if you do I think it will wind up being one of your more expensive learning experiences.