Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
So Art Blakey went to Brazil to learn African drumming?
Following the big band’s breakup, Blakey journeyed to Africa, initially as a spiritual pursuit. Raised in a strict Seventh Day Adventist family, the traveler sought new inspirations. Embracing Islam, he returned to New York with an adapted name, Abdullah Ibn Buhaina. Fellow musicians affectionately called him “Bu.” West African influences emerged in his drumming, as implied in his surging, reactionary polyrhythms. More specific applications were heard in multi-drummer experiments, most notably on Drum Suite (1957) and also on Orgy in Rhythm Volumes 1 and 2 (1957) and the lesser-known The African Beat (1962).

Full article here:

http://52.20.94.27/article/march-2012-art-blakey-the-mentor/
Post removed 
I love many of the post-Coltrane tenor players; and, of course, none as much as Trane himself.  However, I have a soft spot for many of the players that came out of the Swing and Big Band eras with a tone approach which was both softer edged, but very still very husky.  One of my favorites is Eddie “Lockjaw” Davis.  One of the most expressive and exciting players from that era with a wonderfully traditional and “slippery” tone approach, but with note choices that lean more to the Bebop era.  Really interesting way to walk the line between the two eras.

https://youtu.be/5Nb1GWx_tPo

Those familiar with Quincy Jones’ “Killer Joe” might recognize the great flute playing on the following cuts.  Jerome  Richardson; someone deserving more attention here:

https://youtu.be/0N_tzcg5MqY

https://youtu.be/t0I0OIAY5rc

Interesting commentary:

https://youtu.be/-6Oz10Rho4A


(( https://youtu.be/aASXNyc6xmY ))
The greatest ïnside man save Sonny Stilt with as good a piano comp as you will ever hear .

https://youtu.be/FnsycHk8VBw?list=RDFnsycHk8VBw&t=4

Body and Soul and so it was !
https://youtu.be/neVIycqDdL4?list=RDFnsycHk8VBw&t=4

IMO Phil was beyond genre , a superb musician who also composed music masterpieces with a saxophone !
https://youtu.be/ai3oU-O4h7k?list=RDFnsycHk8VBw&t=4
Selmer 6 Myer5

Great!

Boy, you sure do know how to get my attention. Great mp. One of the reasons that a vintage NY Meyer 5 (must be “NY”) fetches the price it does; at one time (and still) “everyone“ wanted to sound like Phil. Awesome player and composer. Besides being as great a soloist as he was, he was also one of the greatest lead alto players ever.

Speaking of Quincy Jones:

https://youtu.be/XRBwOrxDrCs

https://youtu.be/fZCeGkpPVdU

https://youtu.be/qcCO174zQl8

https://youtu.be/kcm5iDT5l-c

I have posted this at least twice before. If you want to know the history of that NY Meyer 5 (and much more):

https://youtu.be/6SJxmCzYpoo