Current equipment similar to ancient DBX 14/10 and/or 20/20 computerized equalizers?

This is far from high end, but; I’ve installed them in a number of live venues, with good results.        There’s one in my listening room (outside the system) for checking room/system response with it’s Spectrum Analyzer and a variety of Pink Noise sources.       https://www.amazon.com/Behringer-Ultracurve-DEQ2496-Ultra-High-Precision/dp/B000CCN152        Not certain though if, "computerized" connotes, "digital".

Then, there's this:  https://reverb.com/item/7998367-dbx-20-20-computerized-equalizer-analyzer

weh51nc, check out DEQX, Anthem STR, Trinnov Amethyst. These are digital preamps which have built in very high resolution EQ capability.

rodman99999: Thanks for the suggestion, but I don’t think the Behringer is quite what I’m looking for. It appears to more than do the job; but I can’t see that it works the way the old DBX units did. I want something I can use to "not use" -- see below.

And the listing on reverb.com was a duplicate of one on eBay. I contacted the seller. It still had its memories an the pink noise generator worked, but its computer no longer "automated." Plus, he didn’t have the calibrated microphone.

Mijostyn: I’ll check out the preamps, but, again, that’s probably not what I’m looking for.

Let me explain....

The beauty of the DBX 14/10 and 20/20 family of equalizers was their integrated automation. Each could generate pink noise through your system, pick it up using a calibrated microphone, analyze the result, generate an equalization curve for that microphone location, and store it -- times ten. Then it could integrate the ten samples into one composite equalization curve optimized for the room in general (based on your choices of mic locations) which you could also store. This could all be done in a matter of minutes -- as fast as you could push the buttons and it could work its way through its scans.

Then, you could move speakers, furniture, sound absorbing/reflecting materials and baffles -- whatever -- and run the equalization simulations again -- the point being that you could use the "auto-equalizer" as a tool to adjust your room such that you could minimize the amount of equalization needed -- then cut the equalizer out of your system entirely.

If there is a similar product on the market at less than astronomical prices, I’ll investigate it (and I'll look more closely at Behringer's offerings). If I can find a fully functional 20/20 or 14/10 (improved operation but different frequency bandwidth pattern), complete with its microphone, then I’m seriously interested.

Rodman99999,

Maybe I'm being too quick to dismiss the Behringer DEQ2496. It appears to be the DBX units on steroids. The question is: how easy is it to use in conjunction with a home audio system -- especially a vintage one. It appears designed for professional use and has all the corresponding balanced I/O connections. I may be forced, kicking and screaming, into the 21st century.