@johnrothschild, all the Tannoys I have owned MX3s (slim floorstanders), R3s (bigger floorstanders) and Berkeley’s (larger floor/standmounts) were voiced to sound satisfyingly full at low volume.
The vintage Berkeley’s are a dream at low volumes, like the R3s (but with a bigger/freer sound). It’s actually difficult to resist turning them up (unless it’s late of course). You can easily begin craving more of that sumptuous sound. Because of low distortion, you can end up going quite loud before they become ’shouty’.
Despite any obvious treble trickery, they somehow render vocalists more legible. There is some commonly used unit of measure for speech legibility, used in cinemas I think, but I can’t recall the name. Whatever it is the dual concentric HPD drivers have it in spades.
They don’t really come more alive at higher volumes like some speakers do (Ruark Prologues!). You just get more of the same. Like having 2/3 slices of cake instead of just the one.
Of course they are not perfect, far from it. I would always prefer a better transient performance/dynamics plus a smoother treble.
As for timbral expressiveness, I doubt I can ever get enough.
But are they high-end? I would say so.
The vintage Berkeley’s are a dream at low volumes, like the R3s (but with a bigger/freer sound). It’s actually difficult to resist turning them up (unless it’s late of course). You can easily begin craving more of that sumptuous sound. Because of low distortion, you can end up going quite loud before they become ’shouty’.
Despite any obvious treble trickery, they somehow render vocalists more legible. There is some commonly used unit of measure for speech legibility, used in cinemas I think, but I can’t recall the name. Whatever it is the dual concentric HPD drivers have it in spades.
They don’t really come more alive at higher volumes like some speakers do (Ruark Prologues!). You just get more of the same. Like having 2/3 slices of cake instead of just the one.
Of course they are not perfect, far from it. I would always prefer a better transient performance/dynamics plus a smoother treble.
As for timbral expressiveness, I doubt I can ever get enough.
But are they high-end? I would say so.

