Ciao mi chiamo Fabio vorrei informazioni sull'upgrade del crossover delle Opera Grand Callas.O magari condividere pareri.
Caps for crossover upgrade for Opera Grand Callas Loudspeakers
Hi, first of all excuse me for my English.
I’d like to upgrade crossover of my beloved Opera Grand Callas Loudspeakers
http://www.operaloudspeakers.com/en/collections/callas-line/grand-callas.html
I’ve got a Merging Hapi as dac, Soulution 721 preamplifier and Krell Fpb 400cx amplifier, I use pure Ag Lasound cables (http://www.lasound.it/en/)
Here you could find more information about my loudspeakers.
https://drive.google.com/open?id=0B9kNUs8PnpkEa21XMjRmaE5ZdWs
They use Scanspeak 9700 tweeter from 2khz and above, Seas 6" custom midrange from 200hz to 2Khz and two Scanspeak 8" aluminium woofers.
Woofer could be this, but I’m not sure
https://www.scan-speak.dk/products/prod-woofer/?single_prod_id=157
While midrange is very similar to this
http://www.seas.no/index.php?option=com_content&view=article&id=101:h1520-08-u16rcyp&cat...
Here is the schema of the crossover, maybe it could be quite different, I haven’t yet dismount the woofer in order to take photos, but this schema is taken from the my loudspeakers’ little sisters, the Opera Callas Diva, that are a little smaller and with only one woofer instead of two.
http://i66.tinypic.com/etil95.jpg
And here is a photo taken from Opera Callas Diva crossover.
http://i67.tinypic.com/16blocz.jpg
As you can see, and in this respect I know that it’s the same as my loudspeakers, capacitors used are Mundorf Evo Aluminium.
I’d like to change the 6,8 uF capacitor used for the front tweeter and the 10 uF used as bypass capacitors for midrange in order to obtain e more relaxing and refined sound. I’d like to have more air, more natural and organic sound without loss in high frequencies extension.
I like my loudspeakers very much, but sometimes I found the sound, especially with not perfectly recorded and mixed records, a little bit on the hard side in the uppermid frequencies, especially on female voices.
I think it could depends on Mundorf Evo caps that are known to be a little "nervous", so I think to go for a Jupite Copper Foil Paper and Wax caps for the 6,8uF (eventually with a Duelund Silver 0,01uF bypass) and maybe a Jantzen Alumen ZCap for 10uF midrange cap, I know it could be better to use another Jupiter Copper for midrange, but I don’t know if there is enough space for it.
Have you any suggestions?
For midrange caps what do you think of Jupiter VT? What are the differences between Jupiter VT and Copper Foil in terms of sound? And between Jupiter Vt and Jantzen Alumen Zcap?
Thanks.
I’d like to upgrade crossover of my beloved Opera Grand Callas Loudspeakers
http://www.operaloudspeakers.com/en/collections/callas-line/grand-callas.html
I’ve got a Merging Hapi as dac, Soulution 721 preamplifier and Krell Fpb 400cx amplifier, I use pure Ag Lasound cables (http://www.lasound.it/en/)
Here you could find more information about my loudspeakers.
https://drive.google.com/open?id=0B9kNUs8PnpkEa21XMjRmaE5ZdWs
They use Scanspeak 9700 tweeter from 2khz and above, Seas 6" custom midrange from 200hz to 2Khz and two Scanspeak 8" aluminium woofers.
Woofer could be this, but I’m not sure
https://www.scan-speak.dk/products/prod-woofer/?single_prod_id=157
While midrange is very similar to this
http://www.seas.no/index.php?option=com_content&view=article&id=101:h1520-08-u16rcyp&cat...
Here is the schema of the crossover, maybe it could be quite different, I haven’t yet dismount the woofer in order to take photos, but this schema is taken from the my loudspeakers’ little sisters, the Opera Callas Diva, that are a little smaller and with only one woofer instead of two.
http://i66.tinypic.com/etil95.jpg
And here is a photo taken from Opera Callas Diva crossover.
http://i67.tinypic.com/16blocz.jpg
As you can see, and in this respect I know that it’s the same as my loudspeakers, capacitors used are Mundorf Evo Aluminium.
I’d like to change the 6,8 uF capacitor used for the front tweeter and the 10 uF used as bypass capacitors for midrange in order to obtain e more relaxing and refined sound. I’d like to have more air, more natural and organic sound without loss in high frequencies extension.
I like my loudspeakers very much, but sometimes I found the sound, especially with not perfectly recorded and mixed records, a little bit on the hard side in the uppermid frequencies, especially on female voices.
I think it could depends on Mundorf Evo caps that are known to be a little "nervous", so I think to go for a Jupite Copper Foil Paper and Wax caps for the 6,8uF (eventually with a Duelund Silver 0,01uF bypass) and maybe a Jantzen Alumen ZCap for 10uF midrange cap, I know it could be better to use another Jupiter Copper for midrange, but I don’t know if there is enough space for it.
Have you any suggestions?
For midrange caps what do you think of Jupiter VT? What are the differences between Jupiter VT and Copper Foil in terms of sound? And between Jupiter Vt and Jantzen Alumen Zcap?
Thanks.
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- 31 posts total
Hi, I update the thread, excuse me for being late. Here are the mods done and to be done. Substitution - all components are in series with the speakers Tweeter 1 cap 6,8 uF -> Jupiter VT 100 Aluminium 1 cap 22 uF -> Mundorf Supreme Evo Oil 1 res 1 Ohm -> Powertron FPR2-T218 Metal Foil Resistor 30W Mid 1 cap 100 uF electrolytic -> 47 uF + 47 uF Mundorf Supreme Evo Oil + 6 uF Jupiter VT 100 Aluminium 1 res 2,2 ohm -> Powertron FPR2-T218 Metal Foil Resistor 30W (to be done) add 1 uF bypass cap on 47+47+6=100 uF caps -> Mundorf Supreme Evo Silver Gold Oil Woofer (to be done) add 1 47 uF bypass cap on 3x330=990 uF electrolytic caps -> Mundorf Supreme Evo Oil 2 parallel res 1 ohm -> Powertron FPR2-T218 Metal Foil Resistor 30W As for now I could say the most upgrading mod is sobstituting the 100uF electrolytic cap with the 47+47+6 parallel caps of better quality, the mids now really shines as resolution and thruthfullness. |
Dear @grunter : " the most upgrading mod is sobstituting the 100uF electrolytic cap... " crossover agree, I experienced the same in my system where the woofer speaker came with an electrolytic 100uf. I can see and read that you took the road/path to make the crossover mods in your speaker through a blend of high end/boutique caps As a fact that is the normal path for any audiophile that wants to improve the quality performance levels of his room/audio system.. As you I started a thread looking for advises of caps from audiophile experts for I can make my " last " speakers crossover mods and I was very specific on what I asked in my thread: looking for HARMLESS and SIGNATURELESS caps that can preserves the sensible and critical signal integrity that was picked up by the recording microphones. I received the normal boutique advises and suddenly I decided ( thank's to my thread and during/inside the thread. ) to make a " deep " research about caps through internet, from A to Z. What a learning lessons, for say the least. Though that research and with out any Agon audiophiles advise I decided to test WIMA caps and yes you can laugh about and decided to think " out of the box ". Wima extremely humble and inexpensive caps were never in my mind its use, as a fact each time I seen a Wima in my system inmediatly I take off and changed it for a " better " cap. Today and after first hand experiences with several diferent high end/boutique caps ( Duelund, Mundorf, V-caps, Jantzen, Sonicraft and the like. ) I know almost for sure that those added boutique caps colorations are only that colorations/distortions that does not exist in the recording but we like it and for me those " nice colorations " are not part of the real MUSIC, of what the recording microphones pick-up. We audiophiles are looking for those " nice " colorations/distortions because those colorations are the ones we are accustom to, not because we are sure are rigth. Those colorations just does not exist in a near field live MUSIC listening sessions. Any kind of MUSIC. This is my reference to achieve my room/system targets. Tidal 200K speaker is a good example on how a speaker manufacturer use those kind of caps as a " tone " devices " as a " tone control " when the main target in a speaker crossover capacitor certainly is not to be used as a tone devices it's not any cap function/role. Tidal use a blend of 5 diferent caps in its speaker crossover to make exactly that: https://www.tidal-audio.com/wp-content/uploads/2016/07/x-over.jpg https://www.tidal-audio.com/technology-crossover/ I found out that WIMA was and is the caps industry standard, every industry kind: military, medical instruments, aerospace, aeronautic, audio. You just name it. If you open any Soulution electronics you will see down there full of Wima caps. This is a board example of Soulution : https://6moons.com/audioreviews/soulution3/23.jpg but not only on that high end electronic manufacturar but here too: https://dartzeel.com/en/nhb-108-model-two/ or in this Swiss made: http://www.theaudiobeat.com/visits/ch_precision_upgrade_addition.htm http://www.theaudiobeat.com/visits/pics/ch_precision_upgrade_1.jpg or this over 250K Rentless by D'angostino: http://cdn.dandagostino.com/images/products/relentless_monoblock_3.jpg I know that you are done in your great system for now but I urge you that in the near future try change all your speaker crossover caps for the Wima MKP-10 caps that you can buy through Mouser supplier. My speaker use very similar caps values as yours: 6.8uf and 100uf. I used 4- 22uf + a 10uf caps instead the 100uf one. Before I made the Wima changes I was using Jantzen Alumen Z and V-caps in woofers. The overall quality level diferences ( beleive it or not. ) were and are nigth and day. I don't use any by-pass caps through the speakers crossover ( it does not need it. By pass does more harm than any improvement. ) and all caps are the same model no single blended cap filter. As a job it's not an easy job the change of the caps for the Wima ones because the Wima are radial instead the usual axial termination conectors. Yes it could be a hard work more time consuming and care that other thing but the rewards makes that that work be worth to do it !. Btw, in that circuit board Soulution link all those low brown resistors you can see there are Vishay-Dale and the Powertron resistors you choosed for your speakers was made by Vishay because Powertron is part of the Vishay group and Vishay for resistors is the industry ( any kind of. ) standard as Wima on the caps. I'm using the colored Duelund resistors but I already received the Powertron too that I choosed over the boutique audiophile Pathaudio ones. Regards and enjoy the MUSIC NOT DISTORTIONS. R. Btw, from some years now the high-pass filter in my biam system was and is doing through the Levinson monoblocks ( heavy tweaked. ) at its input cap where the overall audio signal must pass ( all frequency ranges. ) and in combination with a Z-foil TX2575 Vishay resistor makes the first order high-pass filter.So this input cap is way critical for the system overall quality performance and I was using a V-cap Teflon Cu ( 100.00 each one. ) that I decided one month ago to change for the ridiculous humble Wima FKP-1 ( 2.00 ) and guess what: the Wima outperformed the Teflon Cu with an unexpected easy. Unbelievable ! ! . |
Dear @grunter : "
audio have to be tried out. " I agree and was what I did with out take in count what the experts or any one could say about. Many times problem is that we all audiophiles, some way or the other, are " followers " and we just don't turn around our face/head to learn what the audio world can shows us other than those high end/boutique items. R. |
- 31 posts total