As you suggest Mike Stereophile did this interview back in 1995. I remember listening to the very first Sony CD player at a friend's shop in Akron, Ohio through Krell electronics and Magnapans. It sounded pretty poor. But, cassettes sounded a lot worse and people flocked to them because they were not vinyl and you could play them in your car. CDs were even more convenient and had the potential to outperform cassettes, were not vinyl and they would soon be playable in car audio systems. It was obvious they were going to take off whether or not audiophiles like them. After all we are a very small proportion of the market. Now it is MP3 downloads. It would be three years before Accuphase would make a CD player I could listen to. I suspect it had a fair amount of harmonic distortion added in because it was very tube like.
Still, the best records had better dynamic range. Then came the volume wars (dynamic compression) which IMHO ruined the sound of most popular CDs. Fast forward to High Res digital 96 or 192/24 PCM and recordings that were mastered for this and you have a whole different ball game. Even old analog recordings that were remastered in digital can sound fabulous. In many instances it is only because the original master was poorly engineered. But, better is better.
The normal background noise on vinyl excluding the rare scratch or loud pop I find not to be objectionable at. It is dithering your brain and in some ways, believe it or not makes the music more realistic. When have you been to a concert with no background noise? Never. People talking coughing, shuffling around, chairs squeaking and the -ss behind you that has to whistle after every song. Vinyl is actually quiet in comparison!
The quietness of digital is actually spooky, sterile. You know you are listening to an artificial recreation because there is no noise. Is this one of the reasons I prefer live recordings? Maybe.
There is more behind this than the technical aspects and this issue is highly multi-factorial. Gross characterizations do not work and anyone making them has a hidden bias.
Still, the best records had better dynamic range. Then came the volume wars (dynamic compression) which IMHO ruined the sound of most popular CDs. Fast forward to High Res digital 96 or 192/24 PCM and recordings that were mastered for this and you have a whole different ball game. Even old analog recordings that were remastered in digital can sound fabulous. In many instances it is only because the original master was poorly engineered. But, better is better.
The normal background noise on vinyl excluding the rare scratch or loud pop I find not to be objectionable at. It is dithering your brain and in some ways, believe it or not makes the music more realistic. When have you been to a concert with no background noise? Never. People talking coughing, shuffling around, chairs squeaking and the -ss behind you that has to whistle after every song. Vinyl is actually quiet in comparison!
The quietness of digital is actually spooky, sterile. You know you are listening to an artificial recreation because there is no noise. Is this one of the reasons I prefer live recordings? Maybe.
There is more behind this than the technical aspects and this issue is highly multi-factorial. Gross characterizations do not work and anyone making them has a hidden bias.