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Trans-Fi Terminator Tonearm: 2019 Update

In reading a few related posts on linear tracking tonearm, in general,  and Trans-Fi Terminator , in particular, I thought I would give a brief update of the Terminator.

I purchased the arm directly from Andrey in Moscow two months ago. From what I understand, Andrey has taken over production after Vic's retirement. What I received is the most up-to-date version of the arm with the carbon fibre wand and brass counterweights, the direct wire leads from cartridge to  phono amp, and a new brass manifold ( not evident from the main web-site). Both the wand and the new manifold are Andrey's contribution to the continued refinement of the Terminator.

Also,  please visit this site: https://darklanternforowen.wordpress.com/2017/04/15/terminator-tonearm-new-arm-mount/. This gentlemen from NZ has developed a new arm mount for the Terminator which advanced the arm's sonics even further. It was reading through the the development of this new arm mount that convinced me to order the Terminator after much prior research. I did not purchase the arm mount from NZ as it would not readily fit my Verdier La Platine, instead Andrey made a custom arm mount. It is in essence a two point support mount rather than a single point support rod that is commonly used. 

My previous arm was a SME V of 1990's vintage mounted with a ZYX airy. The Terminator is several notch above the SME V. All the accolades given to the Terminator seem justified. My main point in writing is that the new developments by Andrey, i.e. the carbon fibre wand and the newest brass manifold, seem to improve upon the Terminator even more ( see link above ). This is the news that I wanted to share with existing Terminator owners. I asked Andrey to start a blog on all the new stuff that is happening with the arm, but it seems that he is busy making 'things'!




ledoux1238
bdp24's avatar
bdp24
9,436 posts
 

Great post, @ledoux1238! I completely agree about the nature of the Eminent Technology and Trans-Fi business models (along with those of EAR-Yoshino, Music Reference, Pass, Herron, K & K Audio, Magnepan, Townshend, Kuzma, and a few others), and the nature of their designers/company owners.

Funny you should make a connection between the LFT-8 (particularly it’s woofer) and an open baffle loudspeaker. I don’t use the LFT’s woofer; in it’s place I have a pair of.....Rythmik/GR Research OB/Dipole Subwoofers ;-). There are a couple of very good reason for using a dipole sub with a planar loudspeaker, one of which Duke of 4-sub "swarm" fame has acknowledged. The rate of SPL "fall-off" as you move further away from a dipole is different than it is from a monopole. The balance established between a dipole speaker and a "normal" sub will be so at only one listening distance. Change that distance, and the balance changes.

The OB/Dipole sub has other, inherent advantages over normal subs, which is why Siegfried Linkwitz included them in all his designs. They sound ’leaner" than sealed and ported subs, less fat and "plump". Some hear that as lacking in bass weight, while others find it closer to the sound of bass in real life. I am intimately familiar with the sound of acoustic drums, guitar, and piano, upright and electric bass, and I count myself as among the latter. Each to his own!

I also am a proponent of having the wiring in a tonearm being an uninterrupted run from cartridge tags to RCA (or XLR) plugs, which, as you mentioned, Vic offered on the Terminator. I got his last length of the silver wire. Sorry, mates!

slaw's avatar
slaw
20,414 posts
 
@bdp24 

"Sorry, mates!"  Well at least you're willing to share brother!
bdp24's avatar
bdp24
9,436 posts
 
Au contraire, @slaw! Vic made a run with the longest silver assembly he had left, but it's just long enough to reach from the table to the phono anp, which I place bassackwards right behind the table. A sent him a pair of KLEI Absolute Harmony RCA's to put on the ends.
ledoux1238 OP
276 posts
 
Yeah, and I only have the regular copper run...  :(

@ bdp24 As for the LFT 8b’s, I’m gonna take it slow. Exploring OB subs would be the next phase, though your input is much appreciated. 

Of the audio companies you mentioned above some are unfamiliar to me, so more research.  But Townsend audio I’m quite intimate with. I owned a Rock V TT for many years, purchased based on, among other considerations, a review by Robert Greene ( again ). Innovative, good sounding, and not very expensive were some of attributes, kinda like the the Terminator.
terry9
2,216 posts
 
I've been using the Terminator for 5 years now, for the last 3 on an air bearing TT. Interesting about the brass manifold - though I've never had a problem with the aluminum. I use a HighBlow air pump with a cotton buffered surge tank, precision regulated to 30 mm of mercury, which is about 1/25 atm or just over 1/2 psi. The saddle skims beautifully over the manifold just like any other high class surface over a high class air bearing.

It tracks fine at 10 mmHg, but sounds livelier at 30. Above 30, no improvement.

For the record, if you increase the mass of the wand with brass weights, you can run very low compliance cartridges, e.g. higher end Koetsu. Don't really know if silver cables are better, but you can't have mine!
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