Bi amp pros out there I could use some help! First time Bi Amping...


Just picked up a BAT vk 200 for the bass and using my Pass Aleph 5 for the mids and tweets. Ive never played around with bi amping so I apologize in advance for any lame questions My speakers are Dunlavy SC3's original 5.5 nominal load. The pass is 90 wpc at 4 Ohm and the BAT is 200 wpc at 4 ohm so Im guessing around 75 wpc off the Pass Amp and 150 plus with the Bat Amp. My pre amp is a Aleph P and Im running the Single ended through a XLR adaptor (cause the Bat is Balanced inputs only) and the pass Aleph 5 off the XLR outputs of the pre and inputs of the Pass amp. The PASS Pre Amp manual says there is a 6db differential between the RCA and XLR outputs  two and both can be driven at the same time. So the RCA is 9db and the XLR is 15 db. Gain is within 2db on each amp. So whats the best way to do this? Get a custom XLR "Y" connector and drive both off the XLR output of the pre? Or is there a way better way to get the magic? This is past my "WORLD" Map and experience so Id thought Id ask for the smart people for advice. 

Thank you in advance!

-ALLGOOD
128x128haywood310
I have been an advocate of passive vertical biamping forever, because, speakers such as the Dunlavy line, easily show sonic differences between amplifiers, and to maintain coherence, it is the only way to go. Not to mention, the amplifiers maintain much better control in this configuration. I urge the OP, to seek out another exact Pass amp, and vertically biamp the Dunlavys, because it has been my experience, he has not heard what the Dunlavys are capable of. Understanding how difficult it would be to attain another Pass amp, it would be worth seeking out anyway, or, finding another pair of high quality stereo amps and vertically biamp. Of course, this could lead to another thread, as to finding a pair of amplifiers to replace the sonics of his Pass, but passive vertical biamping has been most impressive for me over the years. Just my final thoughts on the matter, understanding this thread has come to an end. Enjoy ! MrD.
haywood310:
 I'm gonna stick with the Pass for the Dunlavys and try to Swarm (mutil sub) the bass.


Smart move. Massively more bang for the buck this way. The reviews on the Hsu ULS-15 MkII sound like you add another one or two of these and you will have AWESOME bass probably beyond your wildest dreams. Four of those in your room should go flat to subsonic with hella headroom. 
Bdp24 you are completely missing the point. The OP wanted to use the bi-amp feature designed into his speakers. In other words, the way they are supposed to work. The jury is still out on power ratio as far as I’m concerned. Bottom line is that the optimal configuration for his speakers is bi-amp. 
I am little late for the game and may have missed some fine points in comments, but wanted to add 2 cents. I have 4 way crossover with identical amplifiers (except for subs) and one of the issue I had not figured out was speaker impedance matching. The woofer (in parallel) had 3.5 ohms and midrange (in series) had 8 ohms. All experts told me that would not cause problems but every time, I increased the volume, the sound stage would move forward. Once I matched all speaker impedance, sound stage is stable. 
In the spirit of KISS as others have, here is a simple way to have more control and get as complicated as your OCD allows, add a Mini DSP 2x8 Active Crossover. It makes bi-amping super simple and you can integrate your sub swarm by ear, or get sophisticated and use room correction. The computer interface (connect via USB only while tuning) is clean and intuitive with visual on screen crossovers (start with what the manufacturer recommends) and adjust levels to match your amps. 

I had horizontally bi-amped for years with matching amps and it sounded good but recently vertically bi-amped my set up and it has much more punch. So I recommend finding another like model Pass amp to do it and you’ll love it. 

I am happy to discuss how to set it up if interested. To illustrate how far you can go: I’ve gone off the deep end with four subs (two in stereo) integrating seamlessly with my vertically bi-amped 20.1 Maggies. There are 12 bi-quad filters in each speaker created by Multi Sub Optimizer from data captured with Room EQ Wizard. The  crossovers look crazy and the result is jaw dropping.