High definition vs. tonal balance


After many, many years as an audiophile, I’ve come to a conclusion that a goal of tonal balance is far more rewarding and less crazy producing than the quest for greater and greater definition.
Of course, both together is Nirvana.  But so many audiophiles go awry in the holy quest for lucidity.
Years ago I had a system that was far less defined than the system I have today. But, tonally, it was in perfect balance.  A violin sounded like a violin, an oboe like an oboe, a trumpet like a trumpet, you get the idea.  But, it was lacking in those elusive fine points of definition that I thought I needed.
Then began a many year’s quest to find the right component, wire, fuse, what have you to get the sharpest picture I could attain.  Trouble is, I would improve one aspect at the expense of another.  More piling on of fixes and I couldn’t get to the place of happiness I had before I started.
Finally, probably by luck and after thousands of dollars I’ve reached the point of content I was at several years ago.
Maybe my system is better defined now, but it also has achieved that synergy.
My point is, was it worth the torture?



128x128rvpiano
Far as I’m concerned; if a system is truly, "transparent", or- "high-definition", it’ll pass whatever, "tonality" is in the recording and all other musical/venue information, without editorializing anything. Hopefully, presenting a reasonable facsimile, of the event. That’s not, "Nirvana". It’s just accuracy!
Years ago I had a system that was far less defined than the system I have today. But, tonally, it was in perfect balance.

How would you know? By that, I mean versus today.

Perfect tonality without accuracy (transparency, clarity,...) Hmmm....

+1 rodman
I recommend you to stop paying attention to sound and just enjoy the music.

Most audiophiles tend to pay too much attention to sound and keep spending money on the hardware.

I really think it is a crazy hobby.

I bought 1000 CDs at 2500$ during last 6 months which also include some masterpiece of Maestro like David Oistrakh and Rubinstein.

Although I enjoy playing small tweaks to improve the sound, I had decided to limit the money and time spent on audio hardware.

Thomas
I would not listen to speakers that couldn't approximate enough in their tone and timbre presentation. You add resolution with source, electronics and cables, and of course with power management. So, for me tone first. Along with dynamics.