The Harbeth phenomenon


In my search for a new pair of speakers, I've gone through many threads here and noticed that many owners or fans of Harbeth have almost a love-like connection with Harbeth speakers. It is almost as if the speakers cast a spell upon them. I know many audiophiles love their speakers but Harbeth owners seem especially enamored with theirs. I am extremely puzzled by this phenomenon because on paper Harbeth speakers look average at best and lack many of the attributes that generally make a great speaker.

Their sensitivity of generally around the 86dB mark makes them rather inefficient and therefore, at least in theory, not a good match for many lower powered tube amps, or any amps below 100wpc. Their frequency range is simply inferior to most high-end speakers since they don't go below 40 Hz. This alone should, again at least in theory, disqualify Harbeth speakers from consideration as top high end speakers. And yet I've never heard anyone complain about their bass, while people complain about lack of bass in the Gibbon Nines from DeVore, which is a fantastic speaker. Their cabinets look like a cheap DIY enclosure (disclaimer: I've never seen a Harbeth up close, only pictures). The 7ES-3 is rated B-Restricted, while the smaller and cheaper Usher Be-718 A-Restricted in Stereophile but garners nowhere near the same amount of admiration, praise and following among audiophiles.

So what's going on here? Is this a big conspiracy plot by the company that paid off a few hundred of people to infiltrate audiophile internet forums and a few reviewers? I am of course joking here, but the question is serious. How can speakers so average on paper be so good in real life? I know the opposite is often true, but you rarely see this phenomenon.

Please speak up.
actusreus
Pinkus:
That bogus 'review' was discussed at length in the Harbeth User Group (HUG) Forum. I can't find the link, but if I remember correctly, it was an unauthorized review by a casual listener, based upon a pair of Monitor 30s that were purchased used.

In response to the OP, perhaps you should post your question(s) to the HUG Forum. The owner/designer Alan Shaw personally responds to inquiries, and he always welcomes technical questions. At the very least, it makes for an interesting read.

The previous responses have captured Harbeth's design philosophy quite well. I would only add that each model in the Harbeth line has its own sonic characteristics. This is due, in part, to the design objectives that are specific to each model.
I have read this review.In some aspects the writter is right,i know why:)I felt the same when I heard for the first time music playing through my SHL5.I was preperad for that.Why?because speakers were new,just right out the box (wonderfull smell of new speakers mixed with paint and wood aroma).Every speaker needs time to play in,find right place in the room,every speaker tends play some music better than others....and we do have keep in mind that amplifier match is important here even with the Harbeths.How did i find Harbeths? I wrotte in google search "warm sounding speakers" and this brought me to the these speakers,many people pointed out:)I even listen dance music through them.Today I played "Chicane-wake up" song many times,I can't remember how many times,may be more than 20:)Clarity mixed with warm sound:)I am fascinated by vocals ,guitar,piano reproductions and the whole musicality of the the speakers.Voices of angels.I never heard angels singing,but that how i feel listening to it,that is it what makes emotional impact on me and my soul ,on my mood:)
Shadorne - You commented...

"FWIW the M40.1 is really rather uninspiring - even Stereophile did not take much of a shine to it."

Not sure if that's a fair statement. Stereophile rated it Class A... and both Art Dudley and Sam Tellig's comments where quite favorable, with only John Atkinson dissenting, complaining of excessive bass and the need to use it in a larger room.

The Absolute Sound praised the M-40.1 extensively and awarded it their Golden Ear Award.

The speaker is a proven winner... maybe not everyone's cup of tea when it comes to aesthetics, and it does not have the audiophile "wow" factor that some are always seeking, but find hard to nail down.
Pdreher,

Agreed. It is primarily the dispersion that JA is uncomofortable with and the "untidiness at 800 Hz". (I think he is perhaps suggesting woofer breakup might be occuring at audible levels arpund 800 Hz - only down 24 db - a more aggresive x-over slope could eliminate that - although this may give added warmth particularly on male vocals)